In a sinusoidal form, Tranzion draws forms of listening both specific to background music and mobile sounds. Paradoxical entities made of calm and tension, these are built to discover a form of presence taking shape in an automated music. Delays and other undefined elements operate continuously taking us towards the void. Tranzion made its first attempt a few years ago, using oscillators, samplers and delays to build a synthetic automaton (without any acoustic source) that tried to create certain modes of listening across the space of the listener. Since I am the first listener, I can experience and adapt what comes out of it in relation to my inner self and my listening relationships and therefore to yours.
with CIA (APO33) http://www.apo33.org/poulpe/
Listen the Octopus in real-time : http://apo33.org:8000
# CIA /Nantes -France
# Dion Workman /New-York -USA
# Julien OTTAVI /Nantes -France
Research laboratory on sound creation and the numerical tools. The topic which directs the research task is: the virtual. This research laboratory is carried out through construction of a webradio network
This project came out of the APO33 collective research programme and first was presented on Friday 15th November 2002 at Nantes Museum of Fine Arts. 6 artists work together on the public presentation of this 'orchestra', analysing it from every possible angle, unravelling, unbuckling, skinning it until they discover the cracks that will lead them to new modes of creation. The project rests on the contradiction between two systems : the orchestra and the computer, forcibly linked. The artists do not perform as players of the orchestra, but as actors of an experimental sound event. The project is not experimental because its object is experimental music; it is experimental because it appears incoherent and improbable, because it involves two conflicting choices and because we cannot guess what will emerge as a result. One possible result being of camouflage, of concealment – accepting to amalgamate the cluster of conventions linked to each of these systems (the artists as members of a group using their computers as musical instruments) i.e. becoming a pantomime of an orchestra. Another being of a surprise attack at the core of these systems (orchestra and computers) which would then interrogate each other.
all informations on it avalaible here