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who_i_am [2016/01/20 18:55] – julien | who_i_am [2023/09/22 19:04] (current) – julien | ||
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+ | ====== Introduction ====== | ||
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+ | {{laptop_mouth_ottavi.jpg }} | ||
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+ | Over many years I developed an artistic research practice based on new forms of musical writings using computers, audio and networks. As a consequence of musical interpretation of Graphical scores such as Cornelius Cardew’s “Treatise”, | ||
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+ | The computer became, for me, a musical realm where musicians, interpreters, | ||
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+ | Regular collaborators include : jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Joachim Montessuis, Joerg Piringer, Achim Wollscheid, Zbigniew Karkowski, KKNULL, Ilios, Dion Workman, Carl Stone, Mike Bullock, | ||
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+ | His work has been presented internationally: | ||
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+ | ====== Research activities: ====== | ||
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+ | {{wiinoise_julien_ottavi_hidden3.jpg }} | ||
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+ | Since 1997, he develops a composition work on the voice and its transformation by computer. Active developer of audio/ | ||
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+ | Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming manipulation http:// | ||
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+ | His practices is not limited to the art spheres but crosses different fields from technological development to philosophy research, biomimetic analysis & experimentation. Since many years he reflects on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the "art ideology" | ||
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+ | As a sound composer he works on « programmatic compositions », producing computer series of solos : " | ||
+ | Develops all his researsh with computer and Puredata software and Gnu/Linux operating system. - For these series, he works with some limited sound materials (noise, frequencies, | ||
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+ | -founders and member of FORMANEX, electroacoustic quatuor of chamber music from XXe and XXIe century, which plays graphic scores and others kind of scores from composers like Cornelius Cardew, John Cage, Christian Wolf, Morton Feldman, Earle Brown, Jerome Joy, Kasper T. Toeplitz, Ralf Wehowsky… etc. | ||
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+ | -Founder, artistic programmer, audio/video computer researcher (network and audio research) and mix-media artist of APO33: | ||
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+ | Art, technology and research laboratory based in Nantes working in the fields of sound art, free software, collaborative practices, micromedia and urban and environmental mutations. | ||
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+ | It is at the initiative of several collective projects linking research, experimentation and intervention in social contexts. | ||
+ | APO33 develops several activities : creation to facilitate the development of experimental sound creation practices. APO33 with its own CIA (Cell for Intervention in Art/apo33), created a collective for sound/radio creation (artistic research, participation in festivals, residences, publications...). Technological Research on digital tools (web-radios, | ||
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+ | http:// | ||
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+ | In the framework of Apo33 2003, Julien Ottavi worked on the webradio reseal project : RACCORPS. As a continuation of their activities of creation and research, APO33 settled up, during In 2003, a research laboratory focused on the relation between audio art and streaming tools. | ||
+ | This research project resulted in the creation of the OCTOPUS (2005/2006) : network sound streaming installation between several cities in France (http:// | ||
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+ | -Co-director of Area10medialab in Peckham London from 2007 to 2009. | ||
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+ | As part of Area10 the new medialab platform has been introduced to facilitate the development of research and art practices using new technology in the media arts. A10lab aims to establish a strong community of users both locally and internationally. A10 is able to provide support, space and skills in which digital media projects, workshops and/or research can be realized for either individual practitioners, | ||
+ | A10lab provides a space that encourages cross-disciplinary collaborations between various arts and science/ | ||
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+ | {{scieprotocol.jpeg }} | ||
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+ | project developed with A10LAB (2007/ | ||
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+ | -[OPEN|SHARE]: | ||
+ | [OPEN|SHARE] sessions are being introduced at A10lab to provide an informal open space to exchange on the creative implementation and experimentation of technological hardware and software. These sessions will have a singular technological focal point from which peer to peer knowledge sharing can extended. | ||
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+ | -Open Streaming Activation | ||
+ | A10lab is pleased to introduces Fibrr Records - An experimental label supporting innovative artistic practices through a net label and CD distribution. | ||
+ | Fibrr Records will activate a new series of experimentation in mixed-media (audio, video, text, performance…etc) at Apo33lab, where people can present there own research projects and/or crossovers with other people’s work in an open session that holds no bounds in terms of form or content. | ||
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+ | -A10lab server | ||
+ | A10lab run its own server which hosts different websites related to the lab (the scie protocol, NoiZMutation, | ||
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+ | -project developed in collaboration with A10lab/ | ||
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+ | -THE SCIE PROTOCOL is developing their research on their performance " | ||
+ | invited for Piksel festival 2008 | ||
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+ | -BOT: Virtual Lab | ||
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+ | In collaboration with Apo33, BOTs form a virtual community trough a network of server. it aggregates various entities into one place and then diffuse them on to other places. BOTs are a new approach to some digital phenomena: networks, immobile multi-geolocation, | ||
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+ | Http:// | ||
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+ | Developed numbers of collaborations and many projects around the field of experimental music, sound art, interactive installation, | ||
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+ | {{sf_5.jpg}} | ||
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+ | ====== Academic qualifications: | ||
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+ | -PhD in Arts - Lorraine University - Metz - 2018 | ||
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+ | - MA in art, sound, composition and computer music - Art School / Nantes - 2002 | ||
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+ | - training on real-time interaction and psycho-acoutic – IRCAM / Paris - 2001 | ||
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+ | - Study Concrete Music composition – Art School / Nantes – 1998/2001 | ||
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+ | - BA in art – Art School / Nantes – 2000 | ||
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+ | -Drums & percussions music school of Tours - musical training certificate - 1995 | ||
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+ | ====== Grants & awards: ====== | ||
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+ | -Grant from the southwark council for the Digital junk medialab in Cossall (Peckham) – Body performance, | ||
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+ | -Grant from the CNC (DICREAM) for the research project « the 5th dimension » art, technology and gaming – in collaboration with APO33 – modelisation – 2007/2008 | ||
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+ | -Grant from the CNC (DICREAM) for the production of Raccorps as the POULPE, automation computer installation between different cities – in collaboration with APO33 – production – 2005/2006 | ||
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+ | -Grant from Cultural ministery to develop APODIO, gnu/linux platform for audio/video creation, in collaboration with IRCAM/APO33 – 2004/2005 | ||
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+ | -Grant from the CNC (DICREAM) for the research project on audio, network and collaborative practice « Raccorps » in collaboration with APO33 - modelisation – 2004 | ||
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+ | -Grant from the French Cultural Ministery to develop AGGLO audio collective research (art & technologiy) in collaboration with the Art School of Nice (Villa Arson) - 2003 | ||
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+ | ====== Bio Français ====== | ||
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+ | Médiactiviste, | ||
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+ | Depuis plus de 12 ans il diffuse sa musique, ses performances et installations sur la scéne inernationale. Il Collabore réguliérement avec des artistes de renommés comme Jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Jerome Joy, Ryan Jordan, | ||
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+ | Festivals et lieux où Il a pu présenter ses piéces, expérimentation et autres (sélection) : STEIM – Amsterdam, | ||
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