Fibrr Records

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===== JEAN-MARC SAVIC =====

S/T (VIBRIRRR007)

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I taught biology few years in the 90's before devoting myself entirely to my art work.
As an artist, i practise installations, videos and performance mainly.
"Les cerfs " is my  solo project in the field of experimental music. Music can exist as independent media, and it can act as a sculptural material in the plastic work (sound tracks in videos, installations or in the work of performance art).  It may take the form of noise climates, organic textures, but it can be built in a more chaotic and rhythmic approach. Another part of my sound work uses textual elements, or attempts to bring elements of improvisation in more composed pieces involving voice. 
I am interested in the relationship between music and its mode of theatrical representation, and particularly the relationship between music, sound experiments and the "scene" of the performing arts, in its prospects of meeting and hybridization.
My work involves the animal body, and I try to push the boundaries of the physical presence of the body on stage


===== NOISH (Oscar Martin) =====

EETZ (VIBRIRRR006)

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chaos audio teorie - extrange attractors--[from mathematical functions to organic jungle sounds]

EP: one track 25 minutes + code (pure data)

Release generated from the heretical use and the experimentation with the sonic possibilities of the iterative function
"logistics" in a "complex number" versión [real+imaginary]. 

Inspirated but desviated from the research and work by
"Elaine A. Walker" http://www.ziaspace.com/elaine/chaos/ChaosMelodyTheory.pdf

f(xn+1) = 1 – rxn2

adding chaos to the chaos

jumping from attractor to attractor

eternal instability

3d Fractals modulate the temporal frequency of the iterations (Chaos PD external by Ben Bogart)
Audio generators : I used [polywavesynth] a polyphonic synthesizer for Pure Data by Phil Stone
http://www.pkstonemusic.com/polyWaveSynth.html
and some other more simple oscilator, [nqsint] + FM-AM .

After record some audio blocks using the code included. I edited and mixed them into Ardour.

software : Pure Data + Ardour
Linux: Ubuntu Karmic Koala

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**Download Audio  VBR MP3 31mb**[[http://www.archive.org/download/eetz_noish/eetz_noish.mp3]]

**Download Audio WAV 256.6 mb**[[http://www.archive.org/download/eetz_noish/yupana_c_a_t_noish.wav]]

**Donwnload  code!!**[[http://noconventions.mobi/noish/download/yupana_Exploit_cat.zip|yupanaExploit.pd]]


** web +audio +info + code ** [[http://noconventions.mobi/noish|NOISH]]
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===== LONDON CONCRETE =====

Retrospectres (VIBRIRRR005)

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Everything London Concrete 2008-10. 
Cover art, edits and Retrospectre's I, II, III by Seth Guy, 2010.

**Notes**

Retrospectres is the last LP of London Concrete and uses material we were working on prior to our demise in the summer of 2009. Since then I've noted our popularity has steadily increased, particularly in the US and Europe as more people discover the breadth of our output. I've been pleased to receive both invitations to perform, to release works, and notably to the many who have conveyed thanks and positive words about what we did. Finally, I am very grateful that Julien has given me the opportunity to put LC to rest with this album. 
London Concrete 2006-2009. R.I.P.

Special thanks (in no particular order): The Mother, Stinky & Hannah, Chris n Tim Savage, Chris Fazio, Mark Pearce, Pedro Rocha, Nazmeen Latif, Mr. Nick Brown & Charlotte, Robert Pepper & PAS, Julien Ottavi, Ian Simpson@Electronic Music, Dave Phillips, Maria Tidball-Binz, Steve Marshall, Amps For Christ, Tamon & Ed@ILL FM, Ryan Jordan@Noise=Noise, Lizzie Sells, Kommissar Hjuler & Mama Baer, Joel Cahen, Wajid@ScrapClub, Richard Whitelaw, Scant Intone, Mark Aitkin, Pat Bone, Remora, Vibejays, Ascsoms, Sykora, Marcel & Jeremy@Bow Arts, Anne Bean, Tom Bailey, Pete Johnstone@Second Layer, Mar & Monica, Iwonka, Resonance FM, Heathen Harvest, Phil Julian, Mark Whettler, Adrian Pye, Andy Lane, Sukran, Claire Davidson, Linda Himbert, Magda Kondracka, Mrs Venson, Viv Blanchard, Victoria Davenport.

**About London Concrete**

Formed in January 2006, London Concrete are artist Seth Guy (Brignell) & Dee Bowen. London Concrete’s improvisations utilise plunderphonics, field and concrete recordings, reclaimed objects and hacked electronics, instruments, voice, contact microphones and manipulated technologies such as jumping speakers and pick-up coils. In juxtaposing everyday and alien sounds and re-contextualising found texts and visual art sources they create unique collaged recordings and performances. London Concrete provide an alternative perspective of contemporary sound art and experimental music, injecting into it more physicality, humanity, chance and play; away from tightly controlled laptop and digitally-driven composition. Their evolving and exploratory approach to sound making has included work for theatre, radio, dance and live performance. They initiated an ongoing collaborative network via MySpace with other artists such as Amps For Christ, Kommissar Hjuler & Mama Baer and Dave Phillips, and have also worked directly with performance artist Anne Bean, Joel Cahen/Spax, poet Mark Anthony Pearce and dancer Lizzie Sells. London Concrete's work has been published on a number of occasions, strengthening their massive recording output most of which is available to hear online. London Concrete became defunct in the summer of 2009.




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===== GOH LEE KWANG =====

Second Thought / Same Palace (VIBRIRRR004)

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Born Penang, Malaysia
Goh Lee Kwang (family name Goh) is internationally recognized sound artist from Malaysia. He has created sound installations, sonic-visual interactive installations, single channel videos, multi channel videos, electro-acoustic improvisation music performances, tape music, works for radio broadcasts and soundtracks for theater / dance / independent movie. They are shown in various festival, galleries & independent art space in Asia as well as in Europe. Goh's works focus on the various possibilities of both natural sound and recorded sound, crossing the boundaries of digital and analog, electronic and acoustic, go beyond language, allowing audiences to experience the work directly, and in their own personal way.

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===== THE SCIE PROTOCOL =====

"Bed&Hearts" - (VIBRIRRR003)

by Jenny Pickett & Julien Ottavi


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“The Bed” for the majority of us homosapiens is, in one form or another, the place where life is created and where life is brought to an end. Indeed, many of us will spend at least half our lives there. “The Bed” a place of so much human activity and seemingly inactivity, where imagination gives birth to new ideas, dreams solve unanswered questions, the territory of both beautiful and deadly passions. “The Bed” is witness to the raw desires an hidden dramas of the ongoing human dramas.
Jenny Pickett and Julien Ottavi explore the interia dimension of the bed's sonic space, it's reverberations with the flesh and metal pulses of the object and it's inhabitants.


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===== EL RIMAC NOISE =====
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[[EL RIMAC NOISE RECORDING!!!]]

“live noise music from South America & elsewhere recorded in Rimac district of Lima - Peru” (VIBRIRRR002)


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===== DION WORKMAN / JULIEN OTTAVI =====


"collaboration in NYC : more than 30 hours of music" (VIBRIRRR001)




[[http://musique-libre.org/static.php?op=musiqueIndex.php&group=Dion+workman+%26+julien+ottavi&npds=-1|DOWNLOAD & STREAMING HERE]] 

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