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virtual_records [2016/09/04 16:36] julien |
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====== ONLINE FIBRR RELEASED ====== | ====== ONLINE FIBRR RELEASED ====== | ||
+ | |||
+ | ===== ROBIN PLASTRE - UTUS EROD ===== | ||
+ | |||
+ | **(VIBRIRRR020)** | ||
+ | |||
+ | {{:cover.jpg?300 |}} | ||
+ | |||
+ | Utus Erod is a sonic epic through the mutations of an inner landscape; a journey between microscopic matter and vast expanses opening onto an infinite space, always teeming. Comparable to a kind of cinema for the ear, let yourself be carried away by this sensory and playful experience where listening suggests a world in full metamorphosis. | ||
+ | |||
+ | |||
+ | <html> | ||
+ | <iframe src="https://archive.org/embed/utus-erod-2020&playlist=1" width="500" height="300" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> | ||
+ | </html> | ||
+ | |||
+ | **Composition acousmatique / stéréophonique** | ||
+ | |||
+ | Utus Erod est une épopée sonore à travers les mutations d'un paysage intérieur ; un voyage entre les matières microscopiques et les grandes étendues s'ouvrant sur un espace infini, toujours grouillant. Comparable à une sorte de cinéma pour l'oreille, laissez vous porter par cette expérience sensorielle et ludique où l'écoute nous suggère un monde en pleine métamorphose. | ||
+ | |||
+ | Partout les fissures où tout s'érode. | ||
+ | Les regarder se creuser | ||
+ | doucement sous l'euphorie ambiante. | ||
+ | |||
+ | <html> | ||
+ | <iframe style="border: 0; width: 80%; height: 100px;" src="https://bandcamp.com/EmbeddedPlayer/album=2241915435/size=large/bgcol=333333/linkcol=0f91ff/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://fibrrrecords.bandcamp.com/album/utus-erod">Utus Erod by Robin Plastre</a></iframe> | ||
+ | </html> | ||
+ | |||
+ | |||
+ | [[https://fibrrrecords.bandcamp.com/merch/robin-plastre-utus-erod|Buy Utus Erod on usb key]] | ||
+ | |||
+ | |||
+ | |||
+ | ===== AUDIOBLAST V/A COMPILATION VOLUME II ===== | ||
+ | |||
+ | **(VIBRIRRR020)** | ||
+ | |||
+ | <html> <iframe src="https://archive.org/embed/audioblastvolume2&playlist=1&list_height=500" width="500" height="400" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> </html> | ||
+ | |||
+ | Audio in a network, Digital sound festival using the INTERNET as a venue for diffusing LIVE experimental, drone, noise, field recordings, sound poetry, electronic, contemporary music. | ||
+ | |||
+ | The festival is streamed live online and in a quadraphonic sound system at the venue “La Plateforme Intermédia” in Nantes, France. | ||
+ | |||
+ | The second festival took place in Feb/March 2014. Audioblast Festival #2 was curated by Julien Ottavi, Joachim Montessuis and organised by APO33. http://www.apo33.org | ||
+ | |||
+ | with:Strom Varx, Thor Magnusson, Soizic Lebrat & Jenny Pickett, Montex, Gael Segalen, Ryoko Akama & Minoru Sato, Sin:Ned, Ryo Ikeshiro, Philippe Cavaleri, Erin Sexton, Vitriol300, Cambia, Barg, Josep Manuel Berenguer, Antye Greie-Ripatti, Arrebato, Kwc, Le Verdouble, Michael Muennich, Shelly Knotts, Andy Bolus, ONsemble, Julie Rousse, Nerve, Julia Hanadi Al Abed, Fiona Lee, Keiko Uenishi, Germseed, Ana Maria Romano, Bonequi, Error:Wong, Elpueblodelchina. | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | ===== MEDIAL AGES ===== | ||
+ | |||
+ | **(VIBRIRRR019)** | ||
+ | |||
+ | {{:laraperl.jpg?300 |}} | ||
+ | |||
+ | A Live AV Performance | ||
+ | |||
+ | <html> | ||
+ | <iframe src="https://archive.org/embed/medialages&playlist=1" width="500" height="250" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> | ||
+ | </html> | ||
+ | |||
+ | Experimental electromagnetic power noise | ||
+ | Using D.I.Y. circuits: Oscillators, Timers, LDR, Solar Cells, Schmitt Triggers, Atari Punk Consoles, Light Sources (Projectors, Lamps, Strobes), Induction Coils & High Voltage devices (Tesla Coil). Natural low voltage components – such as solar cells – supply low output devices. The oscillators, based on the 555 chip, control 9V input and transform into sound. Optoelectronic oscillators are also used. Both produce a repetitively modulated wave that could be a sine-wave or square-wave. The light sources control the circuits modulating the signal, in other words, the light triggers sonic signals. In a sound/light integration, the modulation of tone activates an interactive system based on D.I.Y circuitry. It is a self-generated sonic machine creating a syncopated, high-pitched, noisy beep Moreover, the field emanated from the Light Electromagnetic Pulse (LEMP) creates interferences | ||
+ | captured by the induction coil. Afterwards, the circuits are amplified and use a Tesla coil as output. A DIY high-voltage device that makes the input signal turns into sound through the triggering of a plasma gas spark. Also, the Tesla coil interferes with the induction coils making audible the | ||
+ | electromagnetic field. The result is an a-rhythmic noise performance based on saturation and collapse. The triggering of the sonic signal through different media devices causes an innovative sound circuitry based in new bio-sonic materialism practices that try to move forward to cutting edge sound development. Medial ages performance investigates Simondon’s transduction effects, the same processes that occur when light stimulates brain waves. Suffice it to say that the process involves the intricate, split second operation of a complex system of signals between neurons and brain, or in that case, sound and light. | ||
+ | |||
+ | Live Act | ||
+ | |||
+ | Medial Ages | ||
+ | |||
+ | London | ||
+ | |||
+ | http://netzzz.net | ||
===== COMPILADO CORAZON DE ROBOTA ===== | ===== COMPILADO CORAZON DE ROBOTA ===== | ||
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- | ===== KADET KUHNE -gradient wake ===== | + | ===== KADET KUHNE - gradient wake ===== |
- | **(VIBRIRRR014)** | + | **(VIBRIRRR013)** |
{{:kadet2_gradientwake_albumcover-600x600.jpg?300 |}} | {{:kadet2_gradientwake_albumcover-600x600.jpg?300 |}} | ||
<html> | <html> | ||
- | <iframe src="https://archive.org/embed/kuhne&playlist=1" width="500" height="400" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> | + | <iframe src="https://archive.org/embed/kuhne&playlist=1" width="500" height="300" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> |
</html> | </html> | ||
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“The Bed” for the majority of us homosapiens is, in one form or another, the place where life is created and where life is brought to an end. Indeed, many of us will spend at least half our lives there. “The Bed” a place of so much human activity and seemingly inactivity, where imagination gives birth to new ideas, dreams solve unanswered questions, the territory of both beautiful and deadly passions. “The Bed” is witness to the raw desires an hidden dramas of the ongoing human dramas. | “The Bed” for the majority of us homosapiens is, in one form or another, the place where life is created and where life is brought to an end. Indeed, many of us will spend at least half our lives there. “The Bed” a place of so much human activity and seemingly inactivity, where imagination gives birth to new ideas, dreams solve unanswered questions, the territory of both beautiful and deadly passions. “The Bed” is witness to the raw desires an hidden dramas of the ongoing human dramas. | ||
- | Jenny Pickett and Julien Ottavi explore the interia dimension of the bed's sonic space, it's reverberations with the flesh and metal pulses of the object and it's inhabitants. | + | Jenny Pickett and Julien Ottavi explore the interia dimension of the bed's sonic space, it's reverberations with the flesh and metal pulses of the object and it's inhabitants.àà |
+ | Bed&Hearts includes recordings, made during pregnancy using ultrasound sensors, which capture the sounds of their unborn son Marlon (2008). | ||
<html> | <html> |