{"id":9450,"date":"2023-02-25T20:30:02","date_gmt":"2023-02-25T19:30:00","guid":{"rendered":"http:\/\/apo33.org\/?p=9450"},"modified":"2023-09-17T13:48:05","modified_gmt":"2023-09-17T11:48:05","slug":"festival-audioblast-11-nantes","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=9450","title":{"rendered":"Festival Audioblast #11 &#8211; Nantes"},"content":{"rendered":"\n<p><strong>Samedi 25 f\u00e9vrier 2023<\/strong><br>Les Ateliers de Bitche<br>20h30 &#8211; 7\/5\/4\u20ac<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/apo33.org\/?p=9450#A1\">Alexandra Macia &amp; Seamus O&#8217;Donnell<\/a><\/strong><br><strong><a href=\"http:\/\/apo33.org\/?p=9450#A2\">Kasper T. Toeplitz<\/a><br>Radio Noise Collective<br>Landscapes For Syrinx<br>a30t<\/strong><br><\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><p><iframe id=\"haWidget\" allowtransparency=\"true\" src=\"https:\/\/www.helloasso.com\/associations\/apo-33\/evenements\/audioblast-11-nantes\/widget-bouton\" style=\"width: 100%; height: 70px; border: none;\"><\/iframe><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns post\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3789033260\/size=large\/bgcol=333333\/linkcol=0f91ff\/tracklist=false\/artwork=small\/track=3145781944\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/e-09.bandcamp.com\/album\/ghost-transmissions\">Ghost Transmissions by E-09<\/a><\/iframe><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"700\" height=\"323\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90-700x323.jpg\" alt=\"\" class=\"wp-image-9511\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90-700x323.jpg 700w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90-300x139.jpg 300w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90-150x69.jpg 150w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90-1536x710.jpg 1536w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/e90.jpg 2048w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p id=\"A1\"><strong>Alexandra Macia &amp; Seamus O&#8217;Donnell<\/strong> (analog TV, radios and electronics &#8211; Berlin)<\/p>\n\n\n\n<p><strong>Alexandra Macia <\/strong>est une artiste sonore de Grenade, en Espagne. Depuis son d\u00e9m\u00e9nagement \u00e0 Berlin en 2015, elle investit dans le son analogique et travaille avec des instruments faits \u00e0 la main, des enregistrements sonores, des boucles, des retours et des signaux \u00e9lectromagn\u00e9tiques qu&#8217;elle traite \u00e0 l&#8217;aide d&#8217;un synth\u00e9tiseur modulaire pour sculpter des compositions cin\u00e9matographiques \u00e0 travers la d\u00e9construction des textures et du bruit. <\/p>\n\n\n\n<p>Les travaux de <strong>Seamus O&#8217;Donnell<\/strong> peuvent inclure des exp\u00e9riences de radiofr\u00e9quence, des enregistrements de terrain manipul\u00e9s, des appareils fabriqu\u00e9s par ses soins, des objets amplifi\u00e9s et des champs magn\u00e9tiques, un m\u00e9langeur sans entr\u00e9e ainsi que d&#8217;autres instruments et voix plus traditionnels. L&#8217;improvisation est probablement le facteur le plus important. En tant qu&#8217;organisateur, O&#8217;Donnell travaille avec l&#8217;association enregistr\u00e9e, Salon Bruit e.V., une plateforme de musique exp\u00e9rimentale et avec ColaBoraDio, une partie des Freien Radios Berlin Brandenburg, en tant que pr\u00e9sentateur et programmeur sur la fr\u00e9quence locale 88.4FM.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns post\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2363032191\/size=large\/bgcol=333333\/linkcol=0f91ff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/kasperttoeplitz.bandcamp.com\/album\/elephant-cat\">ELEPHANT &amp; CAT by Kasper T. Toeplitz<\/a><\/iframe><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"700\" height=\"362\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/toeplitz-1-700x362.jpg\" alt=\"\" class=\"wp-image-9521\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/toeplitz-1-700x362.jpg 700w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/toeplitz-1-300x155.jpg 300w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/toeplitz-1-150x78.jpg 150w, https:\/\/apo33.org\/wp-content\/uploads\/2023\/02\/toeplitz-1.jpg 998w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p id=\"A2\"><strong>Kasper T. Toeplitz<\/strong> (bass, laptop &#8211; Paris)<\/p>\n\n\n\n<p>Compositeur &amp; musicien (ordinateur, basse \u00e9lectrique), \u0153uvrant par-del\u00e0 les distinctions trop commun\u00e9ment admises entre musique contemporaine \u2013 la \u00ab grande \u00bb \u2013 et musique dite non-acad\u00e9mique \u2013 en l\u2019esp\u00e8ce la musique \u00e9lectronique, ou noise music. Travaille donc autant avec les grandes institutions d\u2019Etat (GMEM, GRM, IRCAM, Radio-France) qu\u2019avec des musiciens exp\u00e9rimentaux ou inclassables tels Eliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock, Z\u2019ev ou Art Zoyd.<\/p>\n\n\n\n<p>Influenc\u00e9 par <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giacinto_Scelsi\">Giacinto Scelsi<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Iannis_Xenakis\">Iannis Xenakis<\/a>, il a d\u2019abord beaucoup \u00e9crit pour les instruments traditionnels (a re\u00e7u plusieurs prix et distinctions&nbsp;: 1<sup>er<\/sup>&nbsp;prix de composition d\u2019orchestre au festival de Besan\u00e7on, 1<sup>er<\/sup>&nbsp;prix au concours \u00ab&nbsp;Op\u00e9ra Autrement\/Acanthes&nbsp;\u00bb, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Villa_M%C3%A9dicis\">Villa M\u00e9dicis<\/a> Hors les Murs \u00e0 New York, prix L\u00e9onard de Vinci \u00e0 San Francisco, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Villa_Kujoyama\">Villa Kujoyama<\/a> \u00e0 Kyoto, DAAD de Berlin), ainsi que pour son orchestre de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Guitare\">guitares<\/a> \u00e9lectriques Sleaze Art, avant d\u2019int\u00e9grer pleinement l\u2019ordinateur \u00e0 son travail, autant en termes de pens\u00e9e compositionnelle qu\u2019en tant qu\u2019instrument \u00ab&nbsp;live&nbsp;\u00bb \u00e0 part enti\u00e8re<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns post\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Radio Noise Collective Teaser 2019\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QJ4vo8S5S-I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p><strong>Radio Noise Collective<\/strong> (radios, AM\/FM transmitters &#8211; International)<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/Radio-Noise-Collective-216253387069399\/?__cft__[0]=AZVZySPnMQzFUrj2xj01DiHBWt8O2aE5WpAFEBJTYKqom6_OdW46T2godibUmdNSBntb1fNFElqOML1zKKUxyoMVEHEcMYo7HyGdRkXQOx5SZ68KWvHm3Qd8bxvmfSultcKSNYuHaQqsep2clQoD6cnWaS05-IGWbL55uRrIVQBzjg&amp;__tn__=q\" target=\"_blank\">https:\/\/www.facebook.com\/Radio-Noise-Collective-216253387069399\/<\/a><\/p>\n\n\n\n<p>La radio, l\u2019objet radiophonique, son utilisation, ses extensions, sa culture et ses possibilit\u00e9s forment la mati\u00e8re et le champ d\u2019action de la radio. Plusieurs musicien.nes et non-musicien.nes exploitent la richesse sonore de cet \u00e9metteur, capable de parler toutes les langues, de jouer tous types de musique, et qui repr\u00e9sente par cons\u00e9quent une source intarissable de sons et d\u2019informations. D\u00e9multipli\u00e9e lors de cette performance, la radio devient un langage sonore foisonnant, un instrument de croisement et d\u2019interactions.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns post\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MESSE POUR LE TEMPS QUI VIENT by + tracks https:\/\/hearthis.at\/landscape-for-syrinx\/\" width=\"640\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F938848051&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p class=\"has-black-color has-text-color\"><strong>Landscapes For Syrinx<\/strong> (piano, \u00e9lectronique et piezo &#8211; Nantes)<\/p>\n\n\n\n<p>Formation sur une base classique (instrument piano) un parcours d&#8217;un univers \u00e0 l&#8217;autre (cold wave, industriel, tecno, actuellement exp\u00e9rimental electro et electro-acoustique, drone, ambiant, influences musique  contemporaine).<br>Au sein de diff\u00e9rents groupes structur\u00e9s (C\u00e9r\u00e9monie puis N\u00f4 4096 R, ELectro-Free-po\u00e9sie), ou variables \u00e0 Bitche, des Live de temps \u00e0 autres. Une recherche musicale sonore qui int\u00e8gre l&#8217;accident, l&#8217;impr\u00e9vu, l&#8217;incongru. En parall\u00e8le et avec \u00e9criture de textes de nature po\u00e9tque.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns post\">\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"a30t\" width=\"640\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F1179790789&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\">\n<p><strong>a30t<\/strong> (laptop &amp; electroniques &#8211; Nantes)<\/p>\n\n\n\n<p>Fr\u00e9quences modulables avec un espace v\u00e9getal, naturel et atmosph\u00e9rique tout en variations sonores version SW.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><br><strong>AUDIOBLAST C&#8217;est quoi?<\/strong><\/p>\n\n\n\n<p>Festival de cr\u00e9ation sonore utilisant le r\u00e9seau comme lieu de diffusion, il se compose de nombreuses pratiques audio en r\u00e9seau, de musique exp\u00e9rimental, drone, noise, field recordings, po\u00e9sie sonore, \u00e9lectroniques et musiques contemporaines.<\/p>\n\n\n\n<p>_____________________________<br><em>Avec le soutien :<\/em><br>-La Ville de Nantes<br>-La Drac Des Pays de La Loire<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Samedi 25 f\u00e9vrier 2023Les Ateliers de Bitche20h30 &#8211; 7\/5\/4\u20ac Alexandra Macia &amp; Seamus O&#8217;DonnellKasper T. ToeplitzRadio Noise CollectiveLandscapes For Syrinxa30t Alexandra Macia &amp; Seamus O&#8217;Donnell<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=9450\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":1,"featured_media":9473,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[511,91,101],"tags":[517,1294],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/9450"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9450"}],"version-history":[{"count":7,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/9450\/revisions"}],"predecessor-version":[{"id":9609,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/9450\/revisions\/9609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/9473"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}