{"id":6259,"date":"2020-09-26T19:00:26","date_gmt":"2020-09-26T19:00:26","guid":{"rendered":"http:\/\/apo33.org\/?p=6259"},"modified":"2021-02-10T16:31:34","modified_gmt":"2021-02-10T16:31:34","slug":"electropixel-exhibition","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=6259","title":{"rendered":"ELECTROPIXEL exhibition"},"content":{"rendered":"
26th September<\/span><\/h5>\n

Plateforme Interm\u00e9dia<\/strong> (Behind the Elephant) in Nantes
\nVernissage of Electropixel exhibition + performance on September 26th at 7pm
\nOpen from Wednesday to Saturday
\nfrom 4:30 pm to 7:30 pm
\nOctober 19 to 31 from 2:30 pm to 6 pm<\/p>\n

!! closed on October 14 !!<\/p>\n

Artists :
\nChlo\u00e9 Malaise et Richard Malaise<\/strong>
\nGabriel Vogel<\/strong>
\n Fryderyck Expert et J\u00e9r\u00e9my Picard<\/span><\/strong>
\n Krypt’Art (Carine L\u00e9quyer et Julien Le Tallec) + Jean Luc Arru et Jean Luc Branchereau<\/strong>
\n CarbonDeath<\/strong>
\n Sophie Keraudren-Hartenberger<\/strong>
\n Beno\u00eet Travers<\/strong><\/p>\n

8:30 pm<\/strong> – “\u00c9br\u00e8chement sonore”<\/strong>
\nPerformance by Beno\u00eet Travers, 25 min<\/p>\n

\"Ebrechement-sonore\"<\/a>
\nBeno\u00eet Travers, \u00ab\u00c9br\u00e8chement sonore, performance, vid\u00e9o, 2019\u00bb,
\nphotography : all rights reserved<\/p>\n

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……………………………………………………………………………………………………………………..<\/p>\n

CHLO\u00c9 MALAISE AND RICHARD MALAISE<\/span><\/h4>\n

\u00abDeus ex Machina\u00bb<\/strong><\/p>\n

“Since Descartes, more and more things depend on us. One is from now on in a period or we depend on things which depend on us “.
\nMichel Serres<\/p>\n

The spectator enters a dark space, a screen diffuses the still image of a jungle: a vegetal setting, an idyll in which the visitor could almost enter.
\nLoudspeakers emanate the surrounding sounds of this nature, both distant and close, almost accessible. When you lie down on the cushions on the floor, to contemplate the image for a moment, you realize that it is not a still image. The jungle lives in real time.<\/p>\n

By observing it well, we discover that the image, hyper-realistic, is in fact the fruit of a virtual materialization, it is a 3D model, a decor. The sound, whose irrationality was infinitely guessed, is in fact a jungle sound recomposed from electromagnetic frequencies emitted by electronic objects of our daily life (computer, refrigerator, washing machine, heating…).<\/p>\n

This installation ironically underlines the immanence of Nature, made inaccessible by man, but very present, even if it is only an artifice. It confronts the visitor with the oxymoron of an artefact-nature and proposes in this sense a space for meditation in the wobbly relationship Nature-Society.<\/p>\n

\"Jungle<\/a>\"Deus<\/a><\/p>\n

 <\/p>\n

Through a practice closely related to sound, sound installation, electronic experience and hacking, Chlo\u00e9 Malaise<\/strong> is developing an artistic project that seeks to critically examine our hyper-electronic and material environment.
\nAs much through installation as through live performance or the creation of sound tools, her projects take the form of formal and\/or technological reappropriations that question our relationship to these architectures and technologies that surround us. Through her various projects, she scrutinizes with a poetic and sensitive look the artefacts of our society as elements of a second nature.<\/p>\n

site : chloemalaise.net<\/a><\/p>\n

Richard Malaise is a director of films and live shows in the institutional sector, trailers for video games, credits for documentaries, he is also a chief editor, 2D-3D rigger and videographer for documentaries and advertising.
\nWithin La Compagnie des Mornes Bleu, he co-signs the scenography and the video dressing for two shows.
\nFor more than 20 years, he has been developing the digital visual part of Patrick Cheval’s cosmogony “La For\u00eat \u00c9pop\u00e9e” with which he elaborates landscapes and virtual characters full of poetry. Together, they are working on a project for a 3D animation series that is currently in development.<\/p>\n

Epopart website : https:\/\/www.epopart-creations.com\/<\/a>
\nEpopart facebook page : https:\/\/www.facebook.com\/epopartcreations<\/a>
\nfacebook page : https:\/\/www.facebook.com\/richard.malaise<\/a><\/p>\n

 <\/p>\n

……………………………………………………………………………………………………………………..<\/p>\n

GABRIEL VOGEL<\/span><\/h4>\n

Dancing sound piece. The work of Gabriel Vogel<\/strong> hypnotizes the spectator, as much by the movement of the record player that rotates the metal structure, as by the sounds that are born from the meeting of the different elements between them.<\/p>\n

An automatic percussion, a new instrument that invites to let go. To lose oneself more and more deeply in the shades of light of the materials. And to listen, again and again, to the rubbing, the tinkling, the beating of metal against metal.<\/p>\n

Living in Nantes since 2000, Gabriel Vogel is a sound artist, drummer and also a painter. He explores the musical terrain in a meticulous way. He records, shapes and creates his sound pieces in the manner of a sculptor. The movement is important, the precision is essential, the imagination is at the rendezvous. He also designs his own instruments, built from recovered elements, recycled in a sonorous way.<\/p>\n

\"\"<\/p>\n

……………………………………………………………………………………………………………………..<\/p>\n

FRYDERYK EXPERT AND J\u00c9R\u00c9MY PICARD<\/span><\/h4>\n

Thoughtful actions or a simple letting go.<\/em><\/p>\n

\u00ab A table<\/strong> \u00bb is a sound installation that invites to lose the notion of time through play.
\nDiverted from its primary function, the coffee table becomes here an instrument.
\n120 bouncing balls make it possible to play and compose alone or with others around it; the repetition of simple gestures then participate in creating a bewitching synergy.<\/p>\n

\"bty\"<\/a><\/p>\n

Fryderyk Expert<\/strong> et J\u00e9r\u00e9my Picard<\/strong><\/p>\n

https:\/\/jeremypicard.fr\/<\/a>
\nhttp:\/\/fredexp.fr\/<\/a>
\nhttp:\/\/www.labricool.fr\/<\/a><\/p>\n

……………………………………………………………………………………………………………………..<\/p>\n

KRYPT’ART + JEAN LUC ARRU AND JEAN LUC BRANCHEREAU<\/span><\/h4>\n

Krypt’Art<\/strong> presents a video based on the destructuring of photographs of wildlife on the banks of the river Erdre, by Jean-Luc Arru<\/strong> and Jean-Luc Branchereau<\/strong>. Recomposition “wild” of a look at nature! The transformation of photographic images by digital processes leads Julien Le Tallec and Carine L\u00e9quyer to rework this raw material, to invent a new video painting proposing an otherness to their observation.<\/p>\n

“Artists know it: the savage looks at you without you perceiving him. He disappears when man’s gaze has caught him.” La panth\u00e8re des neiges (2019) by Sylvain Tesson<\/p>\n

\"Com\"<\/a><\/p>\n

Computer graphic designer and musician, Julien Le Tallec<\/strong><\/a> develops an artistic work through computer-generated reveries mixing figuration, abstraction and electronic music.<\/p>\n

Trained as a musician and visual artist, Carine L\u00e9quyer<\/strong> develops work at the crossroads of sound and image in various contexts. From concerts, performances, and shows, to films, videos, and audiovisual installations, she questions their relationships and seeks to find new languages.<\/p>\n

Their artistic encounter within Krypt’Art<\/strong><\/a> in 2014 (Jov\u00e9enne Association, a sound\/image laboratory inspired by Art\/nature\/environment relations) is at the origin of a series of audiovisual creations. These artistic proposals, far from a self-reflexive exploration of the medium used, seize the tools of digital art to entertain the viewer, while questioning the relationship between Nature and Culture in the 21st century.<\/p>\n

Jean Luc Arru<\/strong> and Jean Luc Branchereau<\/strong>, photographers, observe the fauna during their walks, nautical and pedestrian on the Erdre. Their work constitutes a collection of images that testifies to the natural heritage along the river.<\/p>\n

 <\/p>\n