{"id":5694,"date":"2020-05-02T12:15:25","date_gmt":"2020-05-02T12:15:25","guid":{"rendered":"http:\/\/apo33.org\/?p=5694"},"modified":"2020-05-02T18:13:05","modified_gmt":"2020-05-02T18:13:05","slug":"filiason-10-6-sat-may-2-2020","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=5694","title":{"rendered":"Filiason #10.6 @ Sat May 2, 2020"},"content":{"rendered":"<p><span style=\"color: #666699;\"><strong>FILIASON #10.6 &#8211; CONCERT LIVE INTERNET<\/strong><\/span><\/p>\n<p><strong>Saturday, 2nd of May 2020 &#8211; 20:30 &#8211; 00:30 (UTC+2)<br \/>\n<\/strong><\/p>\n<p><strong>Filiason #10<\/strong> is a weekly session live internet. Every saturday, discover artists who&#8217;s playing live internet during the confinement. Emotions will run high on night ! Experimental, new, noise music and mix of styles.<\/p>\n<p>The extra : you can staycomfortably at home and chat with artists !<\/p>\n<h6>Live video stream here :<\/h6>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/k4bO3YZolVw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<table border=\"Opx\">\n<tbody>\n<tr>\n<td width=\"50%\">\n<h6>LISTEN FILIASON HERE!!<\/h6>\n<p><audio preload=\"auto\" controls=\"controls\"><source src=\"http:\/\/apo33.org:8000\/filiason\" type=\"audio\/mpeg\" \/><\/audio><br \/>\nListen here \u261b <a href=\"http:\/\/apo33.org:8000\/filiason\">http:\/\/apo33.org:8000\/filiason<\/a><br \/>\nCome and chat with artists here \u261b <a href=\"http:\/\/apo33.org\/index.php\/fr\/contact\/\">http:\/\/apo33.org\/index.php\/fr\/contact\/<\/a><\/td>\n<td width=\"50%\"><iframe style=\"border: 0; float: right; width: 100%; height: 350px;\" src=\"https:\/\/kiwiirc.com\/client\/irc.freenode.net\/?nick=apo33-|?#apo33\" width=\"300\" height=\"150\"><\/iframe><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>THANK YOU FOR YOUR DONATION TO THE ARTISTS!<\/strong><br \/>\n<iframe id=\"haWidget\" style=\"width: 100%; height: 750px; border: none;\" src=\"https:\/\/www.helloasso.com\/associations\/apo-33\/formulaires\/2\/widget\" width=\"300\" height=\"150\" scrolling=\"auto\"><\/iframe><\/p>\n<p><span style=\"color: #0000ff;\"><strong>ARTISTS :<br \/>\n<\/strong><\/span><\/p>\n<h5><strong>8.30pm &#8211; William Nurdin<\/strong><\/h5>\n<p>Nurdin William aka NW &#8220;RIR1009&#8221; \/\/ (fr-nancy) &#8211; Serendipity \u2248 ASMR.<br \/>\nBorn in 1980, multi-instrumentalist active since 1998. Impregnated by an existential desire to link noise music to performance. Actionism and Serendipity, a distorted accident of mastery.<br \/>\nFounder in 2011 of the RoHS Prod Label, he currently lives in Nancy, France.<br \/>\nWilliam Nurdin, as Seb Radix and Anouck would say, is a guy who weighs in the noise game. Master Nurdin is a kind of mad scientist prey to an acute transmusical exploration syndrome. An imaginary world in the service of noise.<\/p>\n<p><a href=\"https:\/\/twitter.com\/williamnurdin\">https:\/\/twitter.com\/williamnurdin<\/a><br \/>\n<a href=\"http:\/\/nwwn.fr\">http:\/\/nwwn.fr<\/a><\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1911658300\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/nnww.bandcamp.com\/album\/once-upon-these-times\">Once upon these times by nw<\/a><\/iframe><\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/users\/3651196&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"william nurdin\" href=\"https:\/\/soundcloud.com\/nwwn\" target=\"_blank\" rel=\"noopener\">william nurdin<\/a><\/div>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/hnmrNARJA5U\" width=\"694\" height=\"391\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/258000954\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h5><strong>9.30pm &#8211; sains\u0175n<\/strong><\/h5>\n<p>\u300anoisesound\u300b&#8217;:\/^^*!#&#8217;+~%\u00a4`\u00ba\u00ba`&gt;&lt;&lt;{}=\u20a9|\u00d7=\u00f7&lt;:\u00a4`~\u00ba!&#8217;_::\/^*!~`\u00a4\u00a4\u00f7\u00d7\u00a1_\u00bf\u00ba!#\/&#8217;:&amp;^*\/(()+\u00bf&gt;_~\u00f7&gt;*&#8221;&gt;`\u00ba\u00ba%}{\\|!#\/^&#8221;;::,*((-&#8216;!#\/*^;:,-&#8220;&#8221;_+`&lt;}%|\u00bf\u00ba`\u00a4\\_,(@)`^'&#8221;:\/~&#8217;#&#8217;\/<br \/>\nsains\u0175n (Wales) (pronounced &#8220;sine-soon&#8221;) explores sound, narrative and materiality in multiple forms of praxis including fine art, sculpture, performance, installation, and critical poesis.<\/p>\n<p><a href=\"http:\/\/suborg.net\/tag\/sainswn\/\">http:\/\/suborg.net\/tag\/sainswn\/<\/a><br \/>\n<a href=\"https:\/\/www.instagram.com\/sain_swn\/\">https:\/\/www.instagram.com\/sain_swn\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<h5><strong>\u00a010.30pm &#8211; Lucio Capece<\/strong><\/h5>\n<p>Italian-Argentinian musician based in Europe since 2002, specifically in Berlin since 2004. After been educated in classical music at the Conservatory of Mor\u00f3n in Argentina for 10 years, and in Jazz in Argentina, Lyon and New York, Capece has been very active in the Reductionist Improvised Music scene in Berlin ( 2002-2010) and in the radical minimal scene related with the collective Wandelweiser collaborating mainly as member of the collective Konzert Minimal (2008- 2018) and, since 2006, and still in activity, with Radu Malfatti.<br \/>\nSince 2010 he dedicates to offer works focused in the Perception experience, that he performs mainly in solo and in the context of occasional collaborations based in the same interest. He composes his own pieces that may include improvisation and different ways of writing. He uses tools like Flying Speakers hanging from Helium Balloons, Speakers as Pendulums, Analog synthesizer, Sine Waves and Noise Generators, Drum Machines, Ultra- Violet Lights, Sensors as much as the instruments that he has played for 25 years: Bass Clarinet and Soprano and Slide Saxophone. Beyond instrumentation and tools, the main intention is to focus in the physical-social-spatial human experience.<\/p>\n<p><a href=\"https:\/\/www.ursss.com\/2020\/01\/lucio-capece\/\">https:\/\/www.ursss.com\/2020\/01\/lucio-capece\/<\/a><br \/>\n<a href=\"https:\/\/www.facebook.com\/lucio.capece.1\">https:\/\/www.facebook.com\/lucio.capece.1<\/a><\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/users\/39410534&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"Lucio Capece 2\" href=\"https:\/\/soundcloud.com\/electro-batimento\" target=\"_blank\" rel=\"noopener\">Lucio Capece 2<\/a><\/div>\n<p><a href=\"https:\/\/luciocapece.bandcamp.com\/\">https:\/\/luciocapece.bandcamp.com\/<\/a><br \/>\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1753929662\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/luciocapece.bandcamp.com\/album\/things-and-language\">Things and Language by Lucio Capece<\/a><\/iframe><\/p>\n<h5><strong>11.30pm &#8211; Cerpintxt<\/strong><\/h5>\n<div>\n<div>A post-ape progress report from the cosmic madhouse, through the medium of voice, auto-destruction, and regressive performance, wind-guided, meekly ritualistic, discordant experiments in protoconversation.<\/div>\n<div><\/div>\n<div>&#8216;<a href=\"https:\/\/soundcloud.com\/alaayussry\/sets\/combing-her-torso-to-a-pile\/s-7BsqCFJ1YSN\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/soundcloud.com\/alaayussry\/sets\/combing-her-torso-to-a-pile\/s-7BsqCFJ1YSN&amp;source=gmail&amp;ust=1588238054361000&amp;usg=AFQjCNFf_in71wrjwaGEalXWvQDpoKOWeg\">Combing Her Torso To a Pile<\/a>\u2019,\u00a0is the second layer for the musical experiment to be conducted in Dialectically Mediated Distance From Oneself, a musical game directed at discourse in perception of the self and its extensions, within the symbolic network of intersubjective relations. Within this layer, evoked by the representation and construction of a palette of cognitive fragments which maintain fluxes; sonic events as real happenings independent of their source, maintaining a life of their own.\u00a0\u00a0A study in the concretization of narratives, alluding to the missing fundamental, and experiments in simulating uterine environment. The\u00a0work concerns navigating a repertoire of memories, dreams, events, and narratives, to create a deposit for collectively shared subtleties in experience. This layer uses clarinet, voice and field recordings.<\/div>\n<\/div>\n<div><\/div>\n<p><a href=\"https:\/\/alaayussry.wixsite.com\/antisense\">https:\/\/alaayussry.wixsite.com\/antisense<\/a><\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/users\/28628959&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/583190730&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h5><strong>0:00<\/strong><br \/>\nPhill Niblock &amp; Katherine Liberovskaya<\/h5>\n<p><small>In this live set Niblock mixes between audio pieces based on diverse field recordings which are very different from his music compositions. Liberovskaya mixes video with Jitter\/Max\/MSP from a vast personal database of clips shot over the past fifteen years..<\/small><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/JryBOCyzRzU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<a href=\"https:\/\/phillniblock.com\/\"><strong>https:\/\/phillniblock.com\/<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<h5><strong>0.30am &#8211; Alexandra Cardenas<\/strong><\/h5>\n<p>composer\/programmer\/improviser\/live coder<br \/>\nBorn in Bogot\u00e1, Colombia in 1976. Studied Composition at Los Andes University, where she graduated in 2000. She also studied classical guitar and mathematics. Her work has been played in several concert halls in Colombia, Venezuela, Mexico, United States, Europe, China and India and have also been played by many different soloists and chamber ensembles.<\/p>\n<p><a href=\"https:\/\/cargocollective.com\/tiemposdelruido\">https:\/\/cargocollective.com\/tiemposdelruido<\/a><br \/>\n<a href=\"https:\/\/twitter.com\/tiemposdelruido\/\">https:\/\/twitter.com\/tiemposdelruido\/<\/a><\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/users\/356732&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"tiemposdelruido\" href=\"https:\/\/soundcloud.com\/tiemposdelruido\" target=\"_blank\" rel=\"noopener\">tiemposdelruido<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>FILIASON #10.6 &#8211; CONCERT LIVE INTERNET Saturday, 2nd of May 2020 &#8211; 20:30 &#8211; 00:30 (UTC+2) Filiason #10 is a weekly session live internet. Every<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=5694\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":5951,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5694"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5694"}],"version-history":[{"count":13,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5694\/revisions"}],"predecessor-version":[{"id":5999,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5694\/revisions\/5999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/5951"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}