{"id":5293,"date":"2020-02-04T13:58:58","date_gmt":"2020-02-04T13:58:58","guid":{"rendered":"http:\/\/apo33.org\/?p=5293"},"modified":"2020-02-22T11:52:06","modified_gmt":"2020-02-22T11:52:06","slug":"festival-audioblast-8-2","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=5293","title":{"rendered":"Festival Audioblast #8"},"content":{"rendered":"<h2>Festival Audioblast #8<\/h2>\n<p>21st to 23rd February 2020<\/p>\n<p>Festival of sound creation using the network as a live venue, Audioblast broadcasts numerous networked audio practices including; experimental music, drone, noise, field recordings, sound poetry, electronic and comtemporary music.<br \/>\nThe festival will be broadcast live online and through radio spatialisation system installed at the Intermedia platform on Saturday 22nd and Sunday 23 February 2020.<\/p>\n<p>&nbsp;<\/p>\n<h6>LISTEN AUDIOBLAST FESTIVAL LIVE NOW!!<\/h6>\n<p><audio preload=\"metadata\" controls=\"controls\"><source src=\"http:\/\/apo33.org:8000\/audioblast.ogg\" type=\"audio\/ogg\" \/><\/audio><\/p>\n<p><a href=\"http:\/\/apo33.org:8000\/audioblast.ogg.m3u\" target=\"_blank\" rel=\"noopener\">or with your favorite player <\/a><\/p>\n<h3>Global E-missions \/ E-missions Globales<\/h3>\n<p>We have almost arrived at the point of no return, we are in the red and the situation is becoming alarming. After this date, humanity would draw irreversibly from \u201cnon-renewable\u201d reserves. No matter how this is calculated and the exact reality of this thesis, we as arstists, muscians, composers, poets question how we act upon our world, what our carbon impact might be, as well as imagining how we could build viables solutions for all.<br \/>\nIf we have found, the conscious individual or certain policies, activities as more or less sustainable solutions for ourselves, as singular and being a small part of the population, they are far from solving the problem overall. As long as industry and neo-liberal systems continue their unimpeded march of overconsumption and excessive production, and continue to turn a blind eye to the problems of our self-centered expansion on Earth, disaster may not be averted.<br \/>\nEarth Overshoot Day (EOD), previously known as Ecological Debt Day (EDD), is the calculated illustrative calendar date on which humanity\u2019s resource consumption for the year exceeds Earth\u2019s capacity to regenerate those resources that year. Earth Overshoot Day is calculated by dividing the world biocapacity (the amount of natural resources generated by Earth that year), by the world ecological footprint (humanity\u2019s consumption of Earth\u2019s natural resources for that year), and multiplying by 365, the number of days in one Gregorian common calendar year:<\/p>\n<p>When viewed through an economic perspective, EOD represents the day in which humanity enters an ecological deficit spending. In ecology the term Earth Overshoot Day illustrates the level by which human population overshoots its environment. In 2019, Earth Overshoot Day was on July 29.[2]<\/p>\n<p>In the context of Audioblast, this concept of emission particulary interests us; developing the concept as a globalised E-mission : of course carbon dioxide emissions but also transmissions or Electronic Emissions (E-missions) in connection with these possibilities of transmitting sound of globalised way, sound and the air working together, without air, there is no sound (indeed the sound makes the air that is transmitted to our ear vibrate). So how does this inspire us? Do we feel invested in these issues? How can we address the problem of global emissions, overshoot day, over consumption, resistance, alternative proposals or attempts to provoke political reaction or destabilise the all-powerful and destructive ideological neo-liberal sphere?<\/p>\n<h2><\/h2>\n<h2>PROGRAMME<\/h2>\n<h3>Exhibition<\/h3>\n<p>Location : Plateforme Interm\u00e9dia<br \/>\n4 Boulevard L\u00e9on Bureau<br \/>\n44200 Nantes<\/p>\n<p>Preview exhibition : Tuesday 4th February 2020 at 18h30<\/p>\n<p>Exhibition opening : from Wednesday 5th February to Saturday 29th February 2020<br \/>\nTimes opening : from Wednesday to Saturday 14h30 at 18h30<\/p>\n<p>more info <a href=\"http:\/\/apo33.org\/index.php\/en\/2020\/02\/04\/audioblast-8-exhibition\/\">here<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3>Round-table<\/h3>\n<p>Saturday 15th February 2020 de 14h30 \u00e0 17h00<\/p>\n<p><strong>Carine et Julien Le Tallec<\/strong><br \/>\n<strong>Datafone<\/strong><br \/>\n<strong>Jean Grimault (Gilles le Jaune)<\/strong><br \/>\n<strong>a30t<\/strong><br \/>\n<strong>Solar Return<\/strong><br \/>\n<strong>Psychic<\/strong><\/p>\n<p>Location : Plateforme Interm\u00e9dia<br \/>\n4 Boulevard L\u00e9on Bureau<br \/>\n44200 Nantes<\/p>\n<p>&nbsp;<\/p>\n<h3>Concerts<\/h3>\n<p>Festival opening Friday 21th February 2020<\/p>\n<p>line up :<br \/>\nline up :<\/p>\n<p><strong>Jasna Veli\u010dkovi\u0107 (Begrade\/Amsterdam)<\/strong><br \/>\n<a href=\"http:\/\/www.jasnavelickovic.com\">http:\/\/www.jasnavelickovic.com <\/a><br \/>\n<a href=\"http:\/\/jasnavelickovic.com\/velicon.htm\">http:\/\/jasnavelickovic.com\/velicon.htm <\/a><\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/282987654?title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/282987654\">Remote Me music for two remotes &amp; three coils<\/a> from <a href=\"https:\/\/vimeo.com\/bubbleeyes\">BubbleEyes<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><strong>Biosonic Orchestra (Paris\/Nantes)<\/strong><br \/>\n<a href=\"http:\/\/www.datafone-records.com\">http:\/\/www.datafone-records.com<\/a><br \/>\n<a href=\"https:\/\/www.instagram.com\/datafone_records\/\">https:\/\/www.instagram.com\/datafone_records\/<\/a><br \/>\n<a href=\"https:\/\/www.francemusique.fr\/emissions\/l-experimentale\/l-experimentale-du-dimanche-08-decembre-2019-78504?fbclid=IwAR1ZLYuXbyKjx6-WJj_ukshjM35xEmhlveB33i7B3wu1t6f-MTF0PHo7_J0\">https:\/\/www.francemusique.fr\/emissions\/l-experimentale\/l-experimentale-du-dimanche-08-decembre-2019-78504?fbclid=IwAR1ZLYuXbyKjx6-WJj_ukshjM35xEmhlveB33i7B3wu1t6f-MTF0PHo7_J0<\/a><br \/>\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/505936707&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><\/p>\n<p><strong>a30t (St Herblain)<\/strong><br \/>\n<iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/users\/4707981&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Krypt&#8217;art (Jou\u00e9 sur Erdre)<\/strong><br \/>\n<a href=\"https:\/\/julien-le-tallec.wixsite.com\/kryptart\">https:\/\/julien-le-tallec.wixsite.com\/kryptart<\/a><br \/>\n<iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nAC4P51rd4M\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><strong>Collectif Machine Sauvage<\/strong><br \/>\n<a href=\"http:\/\/www.machinesauvage.com\/projets\/performance-av-meconium-tzky\/\">http:\/\/www.machinesauvage.com\/projets\/performance-av-meconium-tzky\/<\/a><br \/>\n<a href=\"http:\/\/www.meconium.xyz\/\">http:\/\/www.meconium.xyz\/<\/a><br \/>\n<a href=\"http:\/\/www.machinesauvage.com\/\">http:\/\/www.machinesauvage.com\/<\/a><br \/>\n<iframe src=\"https:\/\/player.vimeo.com\/video\/202279824\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/202279824\">Me\u0301conium+TZKY<\/a> from <a href=\"https:\/\/vimeo.com\/crapulejack\">crapule_jack<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>Location : Les Ateliers de Bitche<br \/>\n3 rue de Bitche<br \/>\n44000 Nantes<\/p>\n<p><iframe id=\"haWidget\" style=\"width: 800px; height: 400px; border: none;\" src=\"https:\/\/www.helloasso.com\/associations\/apo-33\/evenements\/festival-audioblast-vendredi\/widget-vignette-horizontale\" width=\"300\" height=\"150\"><\/iframe><\/p>\n<div style=\"width: 100%; text-align: center;\">\n<p>Saturday 22th and Sunday 23th February 2020<br \/>\nline up :<br \/>\n15h30 &#8211; <strong>Osvaldo Cibils<\/strong> &#8211; chaotic popurri &#8211; the art of knobs<\/p>\n<p>16h00 &#8211; <strong>AudeRrose<\/strong> &#8211; miroir et fragment fantastique<\/p>\n<p>16h30 &#8211; <strong>Annie Abrahams &amp; Daniel Pinheiro<\/strong> &#8211; Utterings<br \/>\nUtterings is a project by Annie Abrahams (FR) and Daniel Pinheiro (PRT) with Constan\u00e7a Carvalho Homem (PRT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US) as invited artists. <\/p>\n<p>17h00 &#8211; <strong>Seamus O&#8217;Donnell<\/strong> &#8211; knifeloop<\/p>\n<p>17h30 &#8211; <strong>Horacio T\u00edo Trio<\/strong> &#8211; Communication 5<\/p>\n<p>18h00 &#8211; <strong>Philippe Cavaleri<\/strong> &#8211; D\u00e9rives<\/p>\n<h4>Dimanche 23 f\u00e9vrier<\/h4>\n<p>14h30 &#8211; <strong>AlgoNoiseOrchestra<\/strong> &#8211; Codage intempestif<\/p>\n<p>16h &#8211; <strong>Hagai Izenberg<\/strong> &#8211; Radio Concrete<\/p>\n<p>16h30 &#8211; undefined<\/p>\n<p>17h30 &#8211; <strong>Oracle Musical<\/strong> &#8211; \u00c9 M I S S I O N<\/p>\n<p>18h30 &#8211; <strong>Paulo Hartmann<\/strong> &#8211; Carbon Diwans 80&#8217;s<\/p>\n<p>&nbsp;<\/p>\n<p>Location : Plateforme Interm\u00e9dia<br \/>\n4 Boulevard L\u00e9on Bureau<br \/>\n44200 Nantes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Festival Audioblast #8 21st to 23rd February 2020 Festival of sound creation using the network as a live venue, Audioblast broadcasts numerous networked audio practices<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=5293\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":5291,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5293"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5293"}],"version-history":[{"count":8,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5293\/revisions"}],"predecessor-version":[{"id":5513,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/5293\/revisions\/5513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/5291"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}