{"id":3572,"date":"2018-10-30T18:30:15","date_gmt":"2018-10-30T18:30:15","guid":{"rendered":"http:\/\/apo33.org\/?p=3572"},"modified":"2018-11-02T16:25:50","modified_gmt":"2018-11-02T16:25:50","slug":"exposition-corvirtuels","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=3572","title":{"rendered":"Exposition Cor(vir)tuels"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Exposition Cor(vir)tuels<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\">Du 30 octobre au 14 novembre.<\/span><\/p>\n<p>Sur le sujet de la performance et virtualit\u00e9 du corps.<br \/>\nCarte Blanche.<\/p>\n<p><img loading=\"lazy\" class=\"size-medium wp-image-3820 alignright\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/Lucas-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/Lucas-225x300.jpg 225w, https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/Lucas-700x933.jpg 700w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>Les crit\u00e8res plastiques de la performance ne correspondent pas \u00e0 ceux de la danse ou de la musique (sc\u00e9nique et classique) et du spectacle de mani\u00e8re g\u00e9n\u00e9rale. Ils concernent plus la position du corps en rapport avec l&#8217;espace sans d\u00e9finition ou code pr\u00e9alablement d\u00e9finis (chor\u00e9graphie, corps norm\u00e9 pour la danse ou filiation du corps dans\u00e9). Ils concernent les corps que nous habitons, que nous sculptons ou qui sont sculpt\u00e9s. La tentative plastique de la performance recherche aussi les limites des r\u00e8gles de vie en soci\u00e9t\u00e9, des formatages urbains, architecturaux, sociaux et politiques. Au del\u00e0 d&#8217;une esth\u00e9tique visuelle, d&#8217;une beaut\u00e9 romantique, la performance artistique se situe au niveau des codes, sur leur d\u00e9tournement et non pas sur leur reproduction ou leur conservation.<\/p>\n<p><img loading=\"lazy\" class=\"size-medium wp-image-3821 alignleft\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0295-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0295-300x225.jpeg 300w, https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0295-700x525.jpeg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Le corps dans la performance est central, qu\u2019il soit absent ou pr\u00e9sent, qu\u2019il soit maltrait\u00e9 ou interm\u00e9diaire : sa virtualisation rend la question de la performance ambigu\u00eb comme pourrait l\u2019\u00eatre en soi une amiti\u00e9 sur les r\u00e9seaux sociaux. A-t-on \u00e0 faire \u00e0 une r\u00e9alit\u00e9 tangible ou est-ce une pr\u00e9sence spectrale de l\u2019\u00catre, une repr\u00e9sentation pouss\u00e9e \u00e0 son paroxysme ?<br \/>\nPlusieurs artistes proposent des oeuvres en lien avec les questions de la performance et du corps virtuel. Qu\u2019est-ce que cela repr\u00e9sente dans leur approche ? Quel sens donner \u00e0 cette virtualit\u00e9 ? Et enfin quelle place occupent ces probl\u00e9matiques dans leurs projets artistiques ?<\/p>\n<p>Avec :<img loading=\"lazy\" class=\"wp-image-3822 size-medium alignright\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0292-e1541175559473-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0292-e1541175559473-225x300.jpeg 225w, https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0292-e1541175559473-700x933.jpeg 700w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>&#8211; Hortense Gauthier<br \/>\n&#8211; Jaap Blonk<br \/>\n&#8211; Jeanne des Abattoirs<br \/>\n&#8211; Lucas seguy<br \/>\n&#8211; Corpse Etanum<br \/>\n&#8211; Joachim Montessuis<br \/>\n&#8211; Jenny Pickett<br \/>\n&#8211; Arrrrrkkkkrrreeeekkaaaarrr\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &#8211; Antoine Schmitt<\/p>\n<p>&nbsp;<\/p>\n<p>Vernissage mardi 30 octobre \u00e0 18h30<img loading=\"lazy\" class=\"size-medium wp-image-3823 alignleft\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0294-e1541175710640-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0294-e1541175710640-225x300.jpeg 225w, https:\/\/apo33.org\/wp-content\/uploads\/2018\/10\/IMG_0294-e1541175710640-700x933.jpeg 700w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\nVisite du jeudi au samedi de 16h30 \u00e0 19h30, ouverture exceptionnelle les 12,13 et 14 novembre.<br \/>\nPlateforme Interm\u00e9dia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exposition Cor(vir)tuels Du 30 octobre au 14 novembre. Sur le sujet de la performance et virtualit\u00e9 du corps. Carte Blanche. Les crit\u00e8res plastiques de la<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=3572\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":3573,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[10,11],"tags":[316,353,669,424,335],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/3572"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3572"}],"version-history":[{"count":7,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/3572\/revisions"}],"predecessor-version":[{"id":3824,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/3572\/revisions\/3824"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/3573"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}