Project title: Polish Avant-garde music 20th and 21st<\/strong><\/p>\nPolish Musical Avant-garde of the 20th Century century is a project initiated by the Sanatorium of Sound Festival \/ Soko\u0142owsko and referring to the work by the greatest composers of the Polish musical avant-garde of the 20th century.
\nNew interpretations will be given to works by such composers as: Karol Szymanowski – the first composer of the twentieth-century Polish avant-garde; W\u0142odzimierz Koto\u0144ski – the doyen of Polish electroacoustic music; Kasper T. Toeplitz – Polish composer living in Paris, blending contemporary music and noise genre; J\u00f3zef Koffler – the only dodecaphonic music maker in Poland, Gra\u017cyna Bacewicz – outstanding Polish violinist and composer.
\nThe interpretations will be performed by renowned Polish musicians, such as Barbara Kinga Majewska, Kasper T. Toeplitz, Gerard Lebik, Piotr Zabrodzki.
\nThe concerts will be accompanied by a multimedia exhibition referring to the works of the twentieth-century Polish Musical Avant-garde.
\nThe project will be presented in France, Germany and the Czech Republic as a continuation of the activities by the Sanatorium of Sound platform in international cooperation. The Polish artists will be joined by artists associated with international centers, in this way strengthening and developing the dialogue in the field of contemporary sound culture.<\/p>\n
Curated by Zuzanna Fogtt<\/p>\n
Financed from the funds of the Ministry of Culture and National Heritage, within the scope of the Multiannual Program INDEPENDENT 2017-2021, as part of the “Cultural bridges” subsidy program of the Adam Mickiewicz Institute.<\/em><\/p>\nProgram:<\/b><\/span><\/p>\nBarbara Kinga Majewska-voice\/electronics<\/b><\/span><\/p>\nKarol Szymanowski<\/span><\/p>\n\u201e<\/span>Three soldier songs\u201d (1920)<\/span><\/p>\n\u201e<\/span>To the girl\u201d- lyric by Kornel Makuszy\u0144ski<\/span><\/p>\n\u201e<\/span>About the disappointed soldier\u201d – lyric by Kornel Makuszy\u0144ski<\/span><\/p>\n\u201e<\/span>She embodied once Hanka\u201d – lyric by Kazimierz Andrzej Czy\u017cowski<\/span><\/p>\nGra\u017cyna Bacewicz<\/span><\/p>\n\u201e<\/span>Melody for violin and piano\u201d<\/span><\/p>\n\u201e<\/span>Theme with variations for violin and piano\u201d<\/span><\/p>\nKasper T. Toeplitz-bass\/computer\u00a0<\/b><\/span><\/p>\n\u201e<\/span>Almasty”<\/span><\/p>\nPiotr Zabrodzki-synthesiser<\/b><\/span><\/p>\nJ\u00f3zef Koffler<\/span><\/p>\n\u201eMusique. Quasi una sonata op. 8, \u00e0 Karol Szymanowski\u201d (1927)<\/span><\/p>\nGerard Lebik-computer<\/b><\/span><\/p>\nDime Ensemble – Interpretation of \u201eSkrzyd\u0142a (Les Ailes)\u201d (1973) W\u0142odzimierz Koto\u0144ski<\/span><\/p>\nJulien Ottavi \/ Dime Ensemble<\/b><\/span><\/p>\n\n
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Polish Avant-garde music 20th and 21st<\/b><\/div>\n<\/div>\n
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Financed from the funds of the Ministry of Culture and National Heritage, within the scope of the Multiannual Program INDEPENDENT 2017-2021, as part of the “Cultural bridges” subsidy program of the Adam Mickiewicz Institute.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n20h30 – concert – free price<\/strong><\/p>\nPlateforme Interm\u00e9dia ( La Fabrique) – Nantes<\/strong><\/p>\n![\"\"](\"http:\/\/apo33.org\/wp-content\/uploads\/2018\/05\/LOGO-niepodegla-IAM-EN-COLOR-1.jpg\")
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“Festival of new Polish music” Wednesday, May 16 Meeting with Polish composers and Nantais musicians. The time of an evening of Polish composers and musicians <\/span><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":3016,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2964"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2964"}],"version-history":[{"count":9,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2964\/revisions"}],"predecessor-version":[{"id":3106,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2964\/revisions\/3106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/3016"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}