{"id":2453,"date":"2017-11-15T12:37:37","date_gmt":"2017-11-15T12:37:37","guid":{"rendered":"http:\/\/apo33.org\/?p=2453"},"modified":"2017-12-18T16:58:49","modified_gmt":"2017-12-18T16:58:49","slug":"soiree-digital-antidote-wednesday-15th-november","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=2453","title":{"rendered":"Soir\u00e9e Digital Antidote &#8211; Wednesday 15th November"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h5 style=\"text-align: right;\"><strong><em>Yoga, Noise et cosmic percussion<\/em><\/strong><\/h5>\n<h5 style=\"text-align: right;\"><strong><em>\u00a0Key periods to discover artists out of commun run and to look after your digital crises<\/em><\/strong><\/h5>\n<p><b>Eliane Radigue <\/b><span style=\"font-weight: 400;\">interpr\u00e9t\u00e9 par<\/span><b> Deborah Walker<\/b><\/p>\n<p style=\"text-align: justify;\">Between 1967 and 2000, \u00c9liane Radigue composed about 20 electronic music works.\u00a0Unrecognized pioneer, she <span id=\"token_2\" class=\"systran_token_word\">practises<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span>\u00a0<span id=\"token_4\" class=\"systran_token_word\">music<\/span>\u00a0<span id=\"token_5\" class=\"systran_token_word\">with<\/span>\u00a0<span id=\"token_6\" class=\"systran_token_word\">obsession Notoriously slow and painstaking in her work. Radigue has produced in the last decade or so on average one major work every three years. Very recently, in response to the demands of musicians worldwide, she has begun creating works for specific performers and instruments together with electronics.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span id=\"Sp1.s2_o\" class=\"systran_seg\"><span id=\"token_1\" class=\"systran_token_entity\">Since 2001<\/span><span id=\"token_2\" class=\"systran_token_punctuation\">,<\/span>\u00a0<span id=\"token_3\" class=\"systran_token_word\">\u00c9liane Radigue<\/span>\u00a0<span id=\"token_5\" class=\"systran_token_word\">gave up<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span><span id=\"token_7\" class=\"systran_token_word\">composition<\/span>\u00a0<span id=\"token_8\" class=\"systran_token_word\">on<\/span>\u00a0<span id=\"token_10\" class=\"systran_token_word\">analogical<\/span>\u00a0<span id=\"token_9\" class=\"systran_token_word\">synthetizer<\/span><span id=\"token_11\" class=\"systran_token_punctuation\">,<\/span>\u00a0<span id=\"token_14\" class=\"systran_token_word\">to devoteitself<\/span>\u00a0<span id=\"token_15\" class=\"systran_token_word\">to<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">an<\/span>\u00a0<span id=\"token_18\" class=\"systran_token_word\">instrumental<\/span>\u00a0<span id=\"token_17\" class=\"systran_token_word\">work<\/span>\u00a0<span id=\"token_19\" class=\"systran_token_word\">which<\/span>\u00a0<span id=\"token_20\" class=\"systran_token_word\">prolongs \u00a0<\/span><span id=\"token_21\" class=\"systran_token_word\">without<\/span>\u00a0<span id=\"token_23\" class=\"systran_token_word\">aesthetic<\/span>\u00a0<span id=\"token_22\" class=\"systran_token_word\">rupture<\/span>\u00a0<span id=\"token_24\" class=\"systran_token_word\">its<\/span>\u00a0<span id=\"token_26\" class=\"systran_token_word\">electronic<\/span>\u00a0<span id=\"token_25\" class=\"systran_token_word\">work<\/span><span id=\"token_27\" class=\"systran_token_punctuation\">.<\/span><\/span>\u00a0<span id=\"Sp1.s3_o\" class=\"systran_seg\"><span id=\"token_28\" class=\"systran_token_word\">For<\/span><span id=\"token_0\" class=\"systran_token_word\">the<\/span>\u00a0<span id=\"token_30\" class=\"systran_token_word\">compositor<\/span><span id=\"token_31\" class=\"systran_token_punctuation\">,<\/span>\u00a0<span id=\"token_32\" class=\"systran_token_word\">who<\/span>\u00a0<span id=\"token_34\" class=\"systran_token_word\">always<\/span>\u00a0<span id=\"token_35\" class=\"systran_token_word\">worked<\/span>\u00a0<span id=\"token_36\" class=\"systran_token_word\">only<\/span><span id=\"token_37\" class=\"systran_token_punctuation\">,<\/span>\u00a0<span id=\"token_39\" class=\"systran_token_word\">closecollaboration<\/span>\u00a0<span id=\"token_41\" class=\"systran_token_word\">with<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span>\u00a0<span id=\"token_43\" class=\"systran_token_word\">interpreters<\/span>\u00a0<span id=\"token_44\" class=\"systran_token_word\">during<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span><span id=\"token_46\" class=\"systran_token_word\">process<\/span>\u00a0<span id=\"token_47\" class=\"systran_token_word\">of<\/span>\u00a0<span id=\"token_48\" class=\"systran_token_word\">composition<\/span>\u00a0<span id=\"token_49\" class=\"systran_token_word\">is<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">a<\/span>\u00a0<span id=\"token_51\" class=\"systran_token_word\">revelation<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Rona Geffen &#8211; <\/b><b>The Sound Is The Scenery<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u201cLe son est la m\u00e9decine du futur\u201d (Edgar Cayce)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The Sound Is The Scenery (TSITS) is a geometrical mathematical spatial composition incorporating planetary frequencies produced by tuning forks and chimes used in sound healing practice, as well as traditional sound healing tools such as percussions and the human voice. The composition combines symbols and archetypes from various cultures and practices with sound in distinct mathematical ratios and geometrical positioning to create an evolving harmony of in-out and personal-communal connection and synchronization aiming to provide self empowerment and consciousness expansion.<\/span><\/p>\n<p style=\"text-align: right;\"><em>NEAR III \u2013 Digital Antidote<\/em><\/p>\n<p style=\"text-align: right;\"><em>Avec le soutien du Dicream -CNC<\/em><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Yoga, Noise et cosmic percussion \u00a0Key periods to discover artists out of commun run and to look after your digital crises Eliane Radigue interpr\u00e9t\u00e9<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=2453\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":2427,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2453"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2453"}],"version-history":[{"count":3,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2453\/revisions"}],"predecessor-version":[{"id":2458,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2453\/revisions\/2458"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/2427"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}