{"id":2445,"date":"2017-11-08T10:24:36","date_gmt":"2017-11-08T10:24:36","guid":{"rendered":"http:\/\/apo33.org\/?p=2445"},"modified":"2017-11-06T13:18:00","modified_gmt":"2017-11-06T13:18:00","slug":"soiree-digitial-antidote-wednesday-8th-november","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=2445","title":{"rendered":"Soir\u00e9e Digitial ANtidote &#8211; Wednesday 8th November"},"content":{"rendered":"<h5 style=\"text-align: right;\"><b><img loading=\"lazy\" class=\"alignnone size-full wp-image-2406\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2017\/09\/IMG_5345.jpg\" alt=\"IMG_5345\" width=\"5472\" height=\"3648\" srcset=\"https:\/\/apo33.org\/wp-content\/uploads\/2017\/09\/IMG_5345.jpg 5472w, https:\/\/apo33.org\/wp-content\/uploads\/2017\/09\/IMG_5345-300x200.jpg 300w, https:\/\/apo33.org\/wp-content\/uploads\/2017\/09\/IMG_5345-700x467.jpg 700w\" sizes=\"(max-width: 5472px) 100vw, 5472px\" \/><\/b><strong><em>Yoga, Noise et cosmic percussion<\/em><\/strong><\/h5>\n<h5 style=\"text-align: right;\"><strong><em>\u00a0Key periods to discover artists out of commun run and to look after your digital crises<\/em><\/strong><\/h5>\n<p style=\"text-align: justify;\"><b>Kasper T Toeplitz &amp; Myriam Gourfink &#8211;\u00a0<\/b><span style=\"font-weight: 400;\">DATA_Noise<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">DATA_Noise is not a choreography\u00a0accompanied by the music but a electronic music played in live. One of the techniques used is the use of a very slow dance\u00a0<span id=\"token_10\" class=\"systran_token_word\">\u00a0<\/span><span id=\"token_13\" class=\"systran_token_word\">which<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span>\u00a0<span id=\"token_16\" class=\"systran_token_word\">microscopic<\/span>\u00a0<span id=\"token_15\" class=\"systran_token_word\">movements<\/span><span id=\"token_18\" class=\"systran_token_word\">will use<\/span>\u00a0<span id=\"token_20\" class=\"systran_token_word\">to inject<\/span>\u00a0<span id=\"token_22\" class=\"systran_token_word\">instability<\/span>\u00a0<span id=\"token_23\" class=\"systran_token_word\">in<\/span>\u00a0<span id=\"token_0\" class=\"systran_token_word\">the<\/span>\u00a0<span id=\"token_25\" class=\"systran_token_word\">process.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><b>Z\u2019Orgone &#8211;\u00a0<\/b><span style=\"font-weight: 400;\">creation Z\u2019EV + Orgone<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">On stage, about 10 percussionists bright <span id=\"token_0\" class=\"systran_token_word\">a<\/span>\u00a0<span id=\"token_4\" class=\"systran_token_word\">delicate<\/span>\u00a0<span id=\"token_3\" class=\"systran_token_word\">sound<\/span>\u00a0<span id=\"token_2\" class=\"systran_token_word\">matter<\/span>\u00a0to live, stretched sounds, plush atmosphere.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Z\u2019EV \/ Kasper T Toeplitz \/ Julien Ottavi<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\"><span id=\"token_1\" class=\"systran_token_word\">This<\/span>\u00a0<span id=\"token_2\" class=\"systran_token_word\">new<\/span>\u00a0<span id=\"token_3\" class=\"systran_token_word\">trio<\/span>\u00a0<span id=\"token_4\" class=\"systran_token_word\">percussion<\/span><span id=\"token_5\" class=\"systran_token_punctuation\">,<\/span>\u00a0bass<span id=\"token_7\" class=\"systran_token_punctuation\">,<\/span>\u00a0<span id=\"token_8\" class=\"systran_token_word\">voice<\/span>\u00a0<span id=\"token_9\" class=\"systran_token_word\">and\u00a0<\/span><span id=\"token_10\" class=\"systran_token_word\">electronic music try to push the sounds beyond its boundary&#8217;s. They build a composition while using classic instruments but at the opposite extreme of rock trio.\u00a0<\/span>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">8:30p.m &#8211; 5\u20ac \u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Tickets<\/p>\n<p><strong>Plateforme Interm\u00e9dia, La Fabrique\u00a0<\/strong><\/p>\n<p style=\"text-align: right;\"><em>NEAR III \u2013 Digital Antidote<\/em><\/p>\n<p style=\"text-align: right;\"><em>Avec le soutien du Dicream -CNC<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yoga, Noise et cosmic percussion \u00a0Key periods to discover artists out of commun run and to look after your digital crises Kasper T Toeplitz &amp;<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=2445\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":2406,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2445"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2445"}],"version-history":[{"count":2,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2445\/revisions"}],"predecessor-version":[{"id":2567,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2445\/revisions\/2567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/2406"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}