{"id":2078,"date":"2017-06-10T19:00:59","date_gmt":"2017-06-10T19:00:59","guid":{"rendered":"http:\/\/apo33.org\/?p=2078"},"modified":"2017-06-07T12:19:39","modified_gmt":"2017-06-07T12:19:39","slug":"concert-intime-10-dirk-johan-stromberg-felix-philippe","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=2078","title":{"rendered":"Noise Happening #3"},"content":{"rendered":"<p><span class=\"_4n-j _fbReactionComponent__eventDetailsContentTags fsl\" data-testid=\"event-permalink-details\">Pour sa troisi\u00e8me \u00e9dition, le collectif quitte la Norv\u00e8ge et s&#8217;exporte \u00e0 Nantes avec un line-up local et international. Cette \u00e9dition se porte sur la musique \u00e9xp\u00e9rimentale, un tr\u00e8s large paysage allant de noise brutale de l&#8217;ensemble nantais DIME \u00e0 l&#8217;hypnose des orgues sixties de Marc Caro. Plusieurs jeunes artistes de la sc\u00e8ne nantaises se r\u00e9v\u00e8leront \u00e9galement durant cette soir\u00e9e, clotur\u00e9e par le tout nouveau projet electronica Mont Fjell.<\/span><\/p>\n<p>Noise Happening est un collectif artistique international. Notre but est de pr\u00e9senter des oeuvres multim\u00e9dia en live \u00e0 travers des concerts et performances lors desquels tou<span class=\"text_exposed_show\">tes les techniques et tous les univers des artistes invit\u00e9s se m\u00e9langent pour cr\u00e9er un happening m\u00e9tamorphe et multifaces.<\/span><\/p>\n<p>LINE UP<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/dirkjohanstromberg\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=763181207094675&amp;extragetparams=%7B%22directed_target_id%22%3A788797364629724%7D\" data-hovercard-prefer-more-content-show=\"1\" data-hovercard-obj-id=\"763181207094675\">Dirk Johan Stromberg<\/a><br \/>\n\u25cf Singapoure \/ Etats-Unis<br \/>\n\u25cf Musique \u00e9l\u00e9ctronique improvis\u00e9e \/ E-lutherie<\/p>\n<p>Dirk Johan Stromberg est un musicien, compositeur et improvisateur. Son travail explore les interactions dynamiques entre le performeur, la technologie et la pratique de la performance. La conception de mat\u00e9riel et de logiciels a conduit au d\u00e9veloppement de cartes audio bas\u00e9es sur le r\u00e9seau, sur du mat\u00e9riel int\u00e9gr\u00e9 et d\u2019e-instruments. La musique de Dirk a \u00e9t\u00e9 pr\u00e9sent\u00e9e en Europe, en Asie et en Am\u00e9rique du Nord.<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dhh_o-MCqUd0&amp;h=ATPZM8sLB8kwRdLe7CCtO8mzfAYw1EHZ0BCUFbZIFInzTidShbc9KAZUr7hElvgn7MZcDOaz5QRIKo0bJvq2U2ey_dGVJ39giiiz_eH9tt5I8kFGhlvtYCtkYYh1SQ4qedo&amp;enc=AZNn9H3u1KW6UznxOKGU7gUBxgXOg-9-k2qEsvHTxVvXh-1bngEE3Yy3JwqVXfK0TE4&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/www.youtube.com\/<wbr \/>watch?v=hh_o-MCqUd0<\/a><\/p>\n<p>Marc Caro<br \/>\n\u25cf Nantes, France<br \/>\n\u25cf Minimaliste \/ R\u00e9p\u00e9titive<\/p>\n<p>Hypnorepetitiv Organuum OB3<br \/>\nOB3<br \/>\nEst le croisement :<br \/>\nDe la musique repetitive n\u00e9e dans les ann\u00e9es soixante sous l\u2019\u00e9gide de Terry Riley\u2026<br \/>\nDu terme \u00ab organum \u00ab qui d\u00e9signe g\u00e9n\u00e9ralement le stade le plus primitif de la polyphonie dont les premi\u00e8res traces \u00e9crites remontent au IX\u00e8me si\u00e8cle\u2026<br \/>\nDe l\u2019orgue Hammond B3 qui fut souvent utilis\u00e9e au travers du son psychedelic de la cabine Leslie.<\/p>\n<p>F\u00e9lix Philippe<br \/>\n\u25cf Nantes, France<br \/>\n\u25cf Minimal bruit laptop \/Noise<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fphedron&amp;h=ATO3vE9HnzG7KXcOvSlLsA5PLU37ccYPnU-sXlnEOVlNCYNTM1BWITjzMfVppXZcjUdpj2sEdXChVouaHJTUSMr7oI95Py4Gc90Dt1y-bhZt5clJdR6hkXsCb4B8So-juC8&amp;enc=AZNOe-Dz3XHXwj2-tfOxJeulpET0WpwNPjvNEI8qLF54ZY44ULeumvLiXwaWIVOS2EQ&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/soundcloud.com\/<wbr \/>phedron<\/a><\/p>\n<p>Cl\u00e8mence<br \/>\n\u25cf Nantes, France<br \/>\n\u25cf Exp\u00e9rimentale \/ Ambient<\/p>\n<p>Entre live musical, performance et dialogues d&#8217;objets res nullius, Cl\u00e8mence entreprend de b\u00e2tir un environnement sonore orchestr\u00e9 de mouvements corporels et d&#8217;activations de m\u00e9canismes nous faisant ressentir d&#8217;infimes sonorit\u00e9s dans une composition a\u00e9rienne.<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fcl-mence-fontaine&amp;h=ATPaSeQjUCpslOiMltKYP-iYWt2NKqT0VXagtPkAqmxio8jbhmiIA8ZxOUMiQCi8vhBdtqxDbr-OLLo1mocQnnduAWrehpWWoL9_Dwsq_VzTX0jVgTYAqCp6kpa7mdESdkM&amp;enc=AZNUP1Ib3DqliT-wUFxB-gKdVP8sVsKrKw1XUhRNfpMdGTyps_7csaeZVHPSi-GBCmo&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/soundcloud.com\/<wbr \/>cl-mence-fontaine<\/a><\/p>\n<p>DIME Ensemble<br \/>\n\u25cf Nantes, France<br \/>\n\u25cf El\u00e9ctronique-\u00e9xp\u00e9rimentale<wbr \/> \/ Noise<\/p>\n<p>L\u2019Ensemble DIME est un groupe ouvert, compos\u00e9 de professionnels et d\u2019amateurs, qui d\u00e9passe les \u00e9coles historiques de la musique \u00e9lectronique en proposant des formes d\u2019\u00e9criture et de composition sans limite dans l\u2019utilisation des nouvelles lutheries et des technologies num\u00e9riques. L\u2019ensemble cr\u00e9e ses propres oeuvres de fa\u00e7on collective en utilisant des technologies participatives : le public participe parfois \u00e0 la composition en temps-r\u00e9el et manipule les outils de transformation du son. DIME est un ensemble qui d\u00e9veloppe de nouveaux rapports \u00e0 l\u2019\u00e9criture musicale et \u00e0 l\u2019interpr\u00e9tation de nouvelles compositions. L\u2019ensemble peut aussi bien jouer dans une salle de concert, une galerie, que dans un quartier ou un coin de rue.<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DnH2OUu6EKdk&amp;h=ATOaKuBKaDTg65N4Ur_jniVWaolsPwK-hgNcEyDjzVpyag5oR6Ol-vbZv_C2EoIb2zos7JQ_L9FsfUwyVGYiSI981Tqh472X9dNnXrXspF_W5FhifP1wWBHAowFIgNtGdCw&amp;enc=AZNKtg7wrGtLWuaKT9QN4ZkQjb574NqjnbBVl6yrl3fWTaCGab-3evZmJzTP8APnBGY&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/www.youtube.com\/<wbr \/>watch?v=nH2OUu6EKdk<\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/montfjell\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1287425171352718&amp;extragetparams=%7B%22directed_target_id%22%3A788797364629724%7D\" data-hovercard-prefer-more-content-show=\"1\" data-hovercard-obj-id=\"1287425171352718\">Mont Fjell<\/a><br \/>\n\u25cf Norv\u00e8ge \/ France<br \/>\n\u25cf Electronica \/ Experimental-Techno<\/p>\n<p>La m\u00e9lancolie norv\u00e9gienne rencontre la sc\u00e8ne \u00e9l\u00e9ctronique fran\u00e7aise quand les m\u00e9lodies et les nappes du pianiste Fridtjof Wesseltoft (NO) viennent se joindre aux rythmes bruyants de l&#8217;artiste sonore Arthur Hureau (FR).<br \/>\nMont Fjell est une collaboration entre musique club et ambiances planantes.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/enerzionchloemalaise\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1807650492851759&amp;extragetparams=%7B%22directed_target_id%22%3A788797364629724%7D\" data-hovercard-prefer-more-content-show=\"1\" data-hovercard-obj-id=\"1807650492851759\">Enerzion<\/a> &amp; Mad Processor<br \/>\n\u25cf Nantes, France<br \/>\n\u25cf Hacking Analoglitch \/ Noise<\/p>\n<p>En m\u00e9canique ondulatoire, les interf\u00e9rences sont la combinaison de deux ondes susceptibles d&#8217;interagir.<br \/>\nCe ph\u00e9nom\u00e8ne appara\u00eet souvent en optique avec les ondes lumineuses, aussi avec les ondes \u00e9lectromagn\u00e9tiques, et avec d&#8217;autres types d&#8217;ondes comme les ondes sonores.<br \/>\nLa rencontre entre Enerzion et Mad Processor est la cr\u00e9ation d&#8217;un champs d&#8217;interf\u00e9rences comme une exp\u00e9rience noise chaotique et hypnotique, ponctu\u00e9e par des fragments de r\u00e9alit\u00e9.<br \/>\nLeur pratique tourne autour du circuit bending, du field recording et du glitch sonore et visuel \u00e0 partir d&#8217;objets du quotidien ( tv cathodique, radios r\u00e9veils, mixeur vid\u00e9o analogique\u2026)<br \/>\nPar souci d\u2019esth\u00e9tique et de libert\u00e9 de cr\u00e9ation, ils sont amen\u00e9s \u00e0 diss\u00e9quer, triturer, modifier, bidouiller des machines quasi obsol\u00e8tes pour en extraire leur mati\u00e8re premi\u00e8re.<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fcargocollective.com%2Floic-comment&amp;h=ATMnQPGkG9yejdxufLiqHUatPubZXVN0wU2qX1-CP0WkhU0gczYz6uo0u6_PORhG_HkcXT2AH59-0t4nNhYEFJenmRGKm85Ni-It2vbadykWmrTy7q2zOO7Zxc8dYoiDwlQ&amp;enc=AZPNSplHzNMHGmsOQyIYjZvccgWY74bSBsDaitUNQnDzG1rDRubdfTvIXMSTOzY2AGg&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">http:\/\/<wbr \/>cargocollective.com\/<wbr \/>loic-comment<\/a><br \/>\n<a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fenerzion&amp;h=ATNNg_8UM-UGasAIp94DcGI8_vSHEvVvH2EpPBTsni1ZgkhMM5Abvt4KXVpnSwZ2EJxQd-EWTy3dQNAhSdw1EYRXdj_0k1FNzOa6mR6mbACIG5eLNQbVxWPhLT2kefqfgMo&amp;enc=AZMjoStES2fZQp32ntKLs2hG9CZzzMMnAtXTKC9kD1rXX1fqABrl_TnR2wmWVT3dVwo&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/soundcloud.com\/<wbr \/>enerzion<\/a><br \/>\n<a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DTax8V7cfB38%26t%3D191s&amp;h=ATM07rLi3sfyzXKvoR1K9DPynIxhqWh1S_oP7ihcM9LAiF8Ep0uVGeKc3b3ISldoLVu2WmipEYMo9gWkFVSxNTrp447cTrmAzspakFdY4x1gYkKeuTk0SDvG6RldSHJmRnI&amp;enc=AZPOXnlpp0F8ZKqx-Wzf93k07tCSf_fgCOb9YDj8L5s_Wr4-C42ev-ub3khnIRtanho&amp;s=1\" target=\"_blank\" rel=\"nofollow nofollow\">https:\/\/www.youtube.com\/<wbr \/>watch?v=Tax8V7cfB38&amp;t=191s<\/a><\/p>\n<p>Le 10 juin \u00e019h &#8211; Prix libre (3\u20ac conseill\u00e9, places limit\u00e9es)<\/p>\n<p>Les ateliers de Bitche &#8211;\u00a0 <span class=\"_Xbe\">3 Rue de Bitche, Nantes<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<hr \/>\n<hr \/>\n<p><b>Noise Happening #3<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">For the third edition, the collective leaves Norway and exports Noise Happening to Nantes, with a local and international line-up. This edition focuses on experimental music, a vast landscape ranging from the brutal noise of the Nantes ensemble DIME to the hypnosis of Marc Caro&#8217;s sixties organ. Alongside several young artists of the Nantes scene to discover during this evening, which closes with the new project electronica Mont Fjell.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Noise Happening is an international artistic group. Our goal is to present live multimedia works, concerts and performances. Through concerts and performances in which all the techniques and universes of the invited artists mix to create a metamorphic and multifaceted happening.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LINE UP<\/span><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/dirkjohanstromberg\/\"><span style=\"font-weight: 400;\">Dirk Johan Stromberg<\/span><\/a><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Singapore \/ United States<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Improvised electronic music \/ E-lutherie<\/span><\/li>\n<\/ul>\n<p><i><\/i><span style=\"font-weight: 400;\">Dirk Johan is a musician, composer and improviser. His work explores dynamic interactions between the performer, technology and the practice of the performance. The design of hardware and software has led to the development of network-based audio cards, integrated hardware and e-instruments. The Dirk\u2019s music hasbeen presented in Europe, Asia and North America.<\/span><\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dhh_o-MCqUd0&amp;h=ATPZM8sLB8kwRdLe7CCtO8mzfAYw1EHZ0BCUFbZIFInzTidShbc9KAZUr7hElvgn7MZcDOaz5QRIKo0bJvq2U2ey_dGVJ39giiiz_eH9tt5I8kFGhlvtYCtkYYh1SQ4qedo&amp;enc=AZNn9H3u1KW6UznxOKGU7gUBxgXOg-9-k2qEsvHTxVvXh-1bngEE3Yy3JwqVXfK0TE4&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=hh_o-MCqUd0<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Marc Caro<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Nantes, France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Minimalist \/ Repetitive<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Hypnorepetitiv Organuum OB3<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OB3 is the intersection : <\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Is the crossing:<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The repetitive music born in the sixties under the auspices of Terry Riley &#8230;<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The term &#8220;organum&#8221;, which generally refers to the most primitive stage of polyphony, the earliest written traces of which date back to the ninth century.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Of the Hammond B3 organ which was often used through the psychedelic sound of the Leslie cabin.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">F\u00e9lix Philippe<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Nantes, France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Minimal bruit laptop \/Noise<\/span><\/li>\n<\/ul>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fphedron&amp;h=ATO3vE9HnzG7KXcOvSlLsA5PLU37ccYPnU-sXlnEOVlNCYNTM1BWITjzMfVppXZcjUdpj2sEdXChVouaHJTUSMr7oI95Py4Gc90Dt1y-bhZt5clJdR6hkXsCb4B8So-juC8&amp;enc=AZNOe-Dz3XHXwj2-tfOxJeulpET0WpwNPjvNEI8qLF54ZY44ULeumvLiXwaWIVOS2EQ&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/soundcloud.com\/phedron<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Cl\u00e9mence<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Nantes, France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Experimental \/ Ambient<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Between live music, performance and the conversation of objects res nullius, Clemence begins to construct a sound environment orchestrated by physical movements and the activation of mechanisms. Her work give us minimal sounds in an aerial composition.<\/span><\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fcl-mence-fontaine&amp;h=ATPaSeQjUCpslOiMltKYP-iYWt2NKqT0VXagtPkAqmxio8jbhmiIA8ZxOUMiQCi8vhBdtqxDbr-OLLo1mocQnnduAWrehpWWoL9_Dwsq_VzTX0jVgTYAqCp6kpa7mdESdkM&amp;enc=AZNUP1Ib3DqliT-wUFxB-gKdVP8sVsKrKw1XUhRNfpMdGTyps_7csaeZVHPSi-GBCmo&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/soundcloud.com\/cl-mence-fontaine<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">DIME Ensemble<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Nantes, France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Electronic-experimental \/ Noise<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">The Ensemble DIME is an open, professional and amateur group that goes beyond the historical schools of electronic music by offering forms of writing and composition without limit in the use of new violin and digital technologies. The ensemble creates its own works collectively by using participative technology : the audience sometimes participates to the composition in real-time using the tools of sound transformation. DIME is an ensemble which develops new links to musical writing and to the interpretation of new compositions. The ensemble can play in concert hall as well as a gallery space, in a neighborhood or on a street corner.<\/span><\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DnH2OUu6EKdk&amp;h=ATOaKuBKaDTg65N4Ur_jniVWaolsPwK-hgNcEyDjzVpyag5oR6Ol-vbZv_C2EoIb2zos7JQ_L9FsfUwyVGYiSI981Tqh472X9dNnXrXspF_W5FhifP1wWBHAowFIgNtGdCw&amp;enc=AZNKtg7wrGtLWuaKT9QN4ZkQjb574NqjnbBVl6yrl3fWTaCGab-3evZmJzTP8APnBGY&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=nH2OUu6EKdk<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/montfjell\/\"><span style=\"font-weight: 400;\">Mont Fjell<\/span><\/a><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Norway \/ France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Electronica \/ Experimental-Techno<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The melancholy Norwegian meets the french electronic scene where melodies and synth pads of the pianist Fridtjof Wesseltof (NO) combine noisy rhythms of the sound artist Arthur Hureau (FR).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mont Fjell is a collaboration between club music and mind-blowing atmospheres.<\/span><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/enerzionchloemalaise\/\"><span style=\"font-weight: 400;\">Enerzion<\/span><\/a><span style=\"font-weight: 400;\"> &amp; Mad Processor<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Nantes, France<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Hacking Analoglitch \/ Noise<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">In wave mechanics, the interferences are the combination of two waves susceptible to interact. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This phenomenon often appears in optics with light waves, also with electromagnetic waves, and with other types of waves such as sound waves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The meeting between Enerzion and Mad Processor is the creation of a field of interferences as an experimentation of chaotic and hypnotic noise, punctuated by fragments of reality.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their practice turns around circuit bending, field recording and sound and visual glitches of everyday objects (cathode-ray tv, alarm clock, analog video mixing\u2026)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For the sake of aesthetics and freedom of creation, they are forced to dissect, tinker, modify, and tweak quasi-obsolete machines to extract their raw material.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fcargocollective.com%2Floic-comment&amp;h=ATMnQPGkG9yejdxufLiqHUatPubZXVN0wU2qX1-CP0WkhU0gczYz6uo0u6_PORhG_HkcXT2AH59-0t4nNhYEFJenmRGKm85Ni-It2vbadykWmrTy7q2zOO7Zxc8dYoiDwlQ&amp;enc=AZPNSplHzNMHGmsOQyIYjZvccgWY74bSBsDaitUNQnDzG1rDRubdfTvIXMSTOzY2AGg&amp;s=1\"><span style=\"font-weight: 400;\">http:\/\/cargocollective.com\/loic-comment<\/span><\/a><\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fsoundcloud.com%2Fenerzion&amp;h=ATNNg_8UM-UGasAIp94DcGI8_vSHEvVvH2EpPBTsni1ZgkhMM5Abvt4KXVpnSwZ2EJxQd-EWTy3dQNAhSdw1EYRXdj_0k1FNzOa6mR6mbACIG5eLNQbVxWPhLT2kefqfgMo&amp;enc=AZMjoStES2fZQp32ntKLs2hG9CZzzMMnAtXTKC9kD1rXX1fqABrl_TnR2wmWVT3dVwo&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/soundcloud.com\/enerzion<\/span><\/a><\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DTax8V7cfB38%26t%3D191s&amp;h=ATM07rLi3sfyzXKvoR1K9DPynIxhqWh1S_oP7ihcM9LAiF8Ep0uVGeKc3b3ISldoLVu2WmipEYMo9gWkFVSxNTrp447cTrmAzspakFdY4x1gYkKeuTk0SDvG6RldSHJmRnI&amp;enc=AZPOXnlpp0F8ZKqx-Wzf93k07tCSf_fgCOb9YDj8L5s_Wr4-C42ev-ub3khnIRtanho&amp;s=1\"><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=Tax8V7cfB38&amp;t=191s<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\"> 10th June at 19h \u2013 Free price (3\u20ac advised, limited places)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Les ateliers de Bitche \u2013 \u00a03 Rue de Bitche, Nantes<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour sa troisi\u00e8me \u00e9dition, le collectif quitte la Norv\u00e8ge et s&#8217;exporte \u00e0 Nantes avec un line-up local et international. Cette \u00e9dition se porte sur la<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=2078\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":2100,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[91],"tags":[316,1253,692,1221,1107,1223,1212],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2078"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2078"}],"version-history":[{"count":7,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2078\/revisions"}],"predecessor-version":[{"id":2236,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/2078\/revisions\/2236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/2100"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}