{"id":1951,"date":"2017-04-27T19:00:00","date_gmt":"2017-04-27T19:00:00","guid":{"rendered":"http:\/\/apo33.org\/?p=1951"},"modified":"2017-03-20T10:10:32","modified_gmt":"2017-03-20T10:10:32","slug":"concert-intime-10-leo-dupleix-ilia-belorukov","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=1951","title":{"rendered":"Concert Intime #10 : L\u00e9o Dupleix &#038; Tristan Ikorr"},"content":{"rendered":"<p>L\u00e9o Dupleix: <span id=\"result_box\" class=\"\" lang=\"en\"><span class=\"\">Improvisation on the end of instruments and the abstraction of gesture &#8211; France &amp; Russia.<\/span><\/span><\/p>\n<p><strong>L\u00e9o Dupleix :<\/strong><\/p>\n<div class=\"project_content\" data-elementresizer-no-resize=\"\" data-ce-host=\"true\" data-ce-model-id=\"9283682\">\n<div class=\"project_title\">Born in Paris (1988), graduated from Brussel Royal Conservatory (master degree in piano Jazz). Lived in Japan for a year, and is now based in Paris. <span class=\"break_span\"><br \/>\n<\/span> L\u00e9o Dupleix is an electronic musician, piano player, mainly working in the improvised and experimental fields. He uses,computer, contact microphones, speakers, electronic devices, Pianet (electric piano from the 70\u2019s), synthesizers, field recordings, to create his music.<span class=\"break_span\"><br \/>\n<\/span> He is interested in non-idiomatic (and sometimes idiomatic) improvisation, and composition, mainly electro-acoustic (but also for acoustic instruments). <span class=\"break_span\"><br \/>\n<\/span><\/div>\n<div class=\"project_title\"><\/div>\n<\/div>\n<div class=\"project_title\">\n<p><iframe title=\"L\u00e9o Dupleix\" width=\"640\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F89383594&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe><\/p>\n<\/div>\n<div class=\"project_content\" data-elementresizer-no-resize=\"\" data-ce-host=\"true\" data-ce-model-id=\"9283682\">\n<div class=\"textcolumns columnized\">\n<div class=\"tw-swapa\">Tristan Ikor :<\/div>\n<\/div>\n<div class=\"tw-swapa\">After a classical training in saxophone and percussion at the Conservatoire of Paris, and Montpellier, Tristan Ikor chose to develop his own musical universe as an autodidact. Wether as a composer, performer or improviser, he always favors breaking down the barriers of styles and practices.<\/div>\n<\/div>\n<div class=\"tw-swapa\"><\/div>\n<div class=\"tw-swapa\">\n<p><iframe title=\"extrait Gristan Paradise in Dubai\" src=\"https:\/\/player.vimeo.com\/video\/13275884?h=69aa4f1892&amp;dnt=1&amp;app_id=122963\" width=\"640\" height=\"512\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<div class=\"project_content\" data-elementresizer-no-resize=\"\" data-ce-host=\"true\" data-ce-model-id=\"9283682\">\n<div class=\"textcolumns columnized\">\n<p>&nbsp;<\/p>\n<p>Julien M\u00e9rieau, Die Neue Fotografie &#8211; 1991\/2016<\/p>\n<p>Apo33studio. 17 rue Paul Bellamy. Nantes<\/p>\n<p>7pm &#8211;\u00a0 3\u20ac<\/p>\n<p><span class=\"break_span\"><br \/>\n<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>L\u00e9o Dupleix: Improvisation on the end of instruments and the abstraction of gesture &#8211; France &amp; Russia. L\u00e9o Dupleix : Born in Paris (1988), graduated<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=1951\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":3,"featured_media":1969,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1951"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1951"}],"version-history":[{"count":4,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1951\/revisions"}],"predecessor-version":[{"id":1990,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1951\/revisions\/1990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/1969"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}