{"id":1880,"date":"2017-02-19T19:49:39","date_gmt":"2017-02-19T19:49:39","guid":{"rendered":"http:\/\/apo33.org\/?p=1880"},"modified":"2017-02-19T19:52:13","modified_gmt":"2017-02-19T19:52:13","slug":"lelectronique-dans-la-musique-retour-sur-une-histoire","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=1880","title":{"rendered":"L\u2019\u00e9lectronique dans la musique, retour sur une histoire"},"content":{"rendered":"<p><strong>Sophie GOSSELIN et Julien OTTAVI<\/strong><\/p>\n<p><em>Universit\u00e9 de Paris VIII et Association APO33<\/em><\/p>\n<figure id=\"attachment_1883\" aria-describedby=\"caption-attachment-1883\" style=\"width: 386px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"http:\/\/apo33.org\/wp-content\/uploads\/2017\/02\/karkowskiOttavi-686x1024.jpg\" alt=\"SONY DSC\" width=\"386\" height=\"524\" class=\"size-large wp-image-883\" \/><figcaption id=\"caption-attachment-1883\" class=\"wp-caption-text\">SONY DSC<\/figcaption><\/figure>\n<p>Nous parlons couramment des \u00ab musiques \u00e9lectroniques \u00bb sans trop savoir si cette d\u00e9nomination renvoie \u00e0 un \u00ab style \u00bb musical ou d\u00e9signe plus simplement l\u2019utilisation de plus en plus fr\u00e9quente, dans ce que l\u2019on appelle les \u00ab musiques actuelles \u00bb d\u2019outils \u00e9lectroniques transform\u00e9s en instruments de musique. Selon cette seconde d\u00e9finition \u00ab les musiques \u00e9lectroniques \u00bb n\u2019existeraient pas. En effet, l\u2019intitul\u00e9 \u00ab musiques \u00e9lectroniques<br \/>\n\u00bb fonctionne plus comme argument commercial de modernit\u00e9 que comme nomination d\u2019une pratique musicale singuli\u00e8re. Notre propos ne sera donc pas celui des \u00ab musiques \u00e9lectroniques \u00bb mais celui de l\u2019\u00e9lectronique dans la musique. Plut\u00f4t qu\u2019un style musical il y aurait des mani\u00e8res d\u2019utiliser l\u2019\u00e9lectronique dans la musique, des d\u00e9marches, des positionnements artistiques se construisant en rapport \u00e0 l\u2019instrument \u00e9lectronique. A travers cet article nous tenterons de r\u00e9pondre aux questions suivantes : Quelles sont les implications artistiques du d\u00e9tournement par les musiciens des outils \u00e9lectroniques ? Comment l\u2019introduction d\u2019instruments \u00e9lectroniques agit et reconfigure le champ des pratiques musicales et sonores ? En quoi est-ce que le terme de \u00ab musiques \u00e9lectroniques \u00bb masque la multiplicit\u00e9 et le sens de ces d\u00e9marches artistiques ?<\/p>\n<p><strong>Mots-clefs :<\/strong>  Histoire \u2014 Technique \u2014 D\u00e9tournement \u2014 D\u00e9marche exp\u00e9rimentale<\/p>\n<p><a href=\"http:\/\/apo33.org\/wp-content\/uploads\/2017\/02\/volume-2443.pdf\">lire l&#8217;article complet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sophie GOSSELIN et Julien OTTAVI Universit\u00e9 de Paris VIII et Association APO33 Nous parlons couramment des \u00ab musiques \u00e9lectroniques \u00bb sans trop savoir si cette<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=1880\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":1,"featured_media":1881,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[16],"tags":[1133,316,675,883,1135,94,1137,1131],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1880"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1880"}],"version-history":[{"count":4,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1880\/revisions"}],"predecessor-version":[{"id":1887,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/1880\/revisions\/1887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/1881"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}