{"id":13037,"date":"2026-05-21T20:30:00","date_gmt":"2026-05-21T18:30:00","guid":{"rendered":"https:\/\/apo33.org\/?p=13037"},"modified":"2026-04-24T13:31:26","modified_gmt":"2026-04-24T11:31:26","slug":"soiree-rhythmajik-orgone-percussion-ensemble-avec-seijiro-murayama-jp-fr","status":"publish","type":"post","link":"https:\/\/apo33.org\/?p=13037","title":{"rendered":"Soir\u00e9e Rhythmajik \u2013 Orgone Percussion Ensemble avec Seijiro Murayama (JP\/FR)"},"content":{"rendered":"\n<p>Concert \u00b7 Performance \u00b7 Workshop \u2014 R\u00e9sidences Rhythmajik<\/p>\n\n\n\n<p><strong>Jeudi 21 mai 2026<\/strong> \u2014 portes \u00e0 20h30, concerts \u00e0 21h00<br> Les Ateliers de Bitche, Nantes<br> Prix libre (5\u20ac conseill\u00e9)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3>Orgone Percussion Ensemble<\/h3>\n\n\n\n<p>Orgone est un ensemble de percussion contemporaine \u00e0 Nantes et dans la r\u00e9gion. Espace d\u00e9di\u00e9 \u00e0 l&#8217;interpr\u00e9tation de pi\u00e8ces de percussion contemporaines \u00e0 la limite du genre, l&#8217;ensemble accueille professionnels, amateurs et d\u00e9butants. La d\u00e9marche n&#8217;est pas la virtuosit\u00e9 mais le d\u00e9sir de jouer en groupe \u2014 partitions graphiques, directions avec modes de jeu particuliers, approche exp\u00e9rimentale.<\/p>\n\n\n\n<p>Orgone a travaill\u00e9 en \u00e9troite collaboration avec le regrett\u00e9 artiste et compositeur am\u00e9ricain Z&#8217;EV, maintenant une archive des instruments qu&#8217;il a construits durant son s\u00e9jour \u00e0 Londres et \u00e0 Nantes. L&#8217;ensemble a collabor\u00e9 et interpr\u00e9t\u00e9 des compositeurs tels que Z&#8217;EV, Jason Kahn, John Cage, Earle Brown, James Tenney, Burkhard Beins, Cornelius Cardew, Kasper T. Toeplitz, Wang Beibei et bien d&#8217;autres.<\/p>\n\n\n\n<p>Pour cette soir\u00e9e, Orgone pr\u00e9sente une nouvelle cr\u00e9ation \u00e0 base de feedback de percussions, propos\u00e9e par Julien Ottavi.<\/p>\n\n\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1744777500\/size=large\/bgcol=333333\/linkcol=0f91ff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/fibrrrecords.bandcamp.com\/album\/perspectives-in-percussions-for-the-xxi-century-i\">Perspectives in percussions for the XXI century I by Orgone Percussion Ensemble<\/a><\/iframe><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3>Z&#8217;EV &amp; l&#8217;h\u00e9ritage Rhythmajik<\/h3>\n\n\n\n<p>Z&#8217;EV laisse un ensemble de travaux et de recherches artistiques colossal : articles, livres, po\u00e9sies, films, des centaines d&#8217;enregistrements, de collaborations, quelques pi\u00e8ces pour des ensembles, des projets d&#8217;\u00e9criture musicale mais aussi de nombreuses sculptures-instruments qu&#8217;il a souhait\u00e9 laisser en h\u00e9ritage \u00e0 Apo33 pour que nous puissions continuer \u00e0 les faire vivre dans une pratique proche de sa pens\u00e9e.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3>Seijiro Murayama (JP\/FR)<\/h3>\n\n\n\n<p>N\u00e9 en 1957 \u00e0 Nagasaki, Seijiro Murayama s&#8217;int\u00e9resse tr\u00e8s t\u00f4t au son en \u00e9coutant les \u00e9missions de radio anim\u00e9es par l&#8217;ethnomusicologue Fumio Koizumi. Il commence sa carri\u00e8re professionnelle en 1982 en participant \u00e0 la tourn\u00e9e am\u00e9ricaine de Keiji Haino.<\/p>\n\n\n\n<p>Install\u00e9 \u00e0 Paris depuis 2000, il d\u00e9veloppe principalement son activit\u00e9 en Europe. Il entretient des collaborations au long cours avec le sound artist Eric La Casa, le compositeur, saxophoniste alto et organiste Jean-Luc Guionnet, ainsi qu&#8217;avec le trompettiste berlinois Axel D\u00f6rner.<\/p>\n\n\n\n<p>Critique \u00e0 l&#8217;\u00e9gard de la \u00ab free improvisation \u00bb au sens conventionnel du terme, il fonde \u00e0 Bruxelles le collectif d&#8217;improvisation Skew, au sein duquel il d\u00e9veloppe le concept de \u00ab solos simultan\u00e9s \u00bb, pr\u00e9sent\u00e9 dans diff\u00e9rents pays. Il pratique la percussion, la batterie et la voix.<\/p>\n\n\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=372223446\/size=large\/bgcol=333333\/linkcol=0f91ff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/seiijromurayam.bandcamp.com\/album\/the-madness-of-the-day\">The madness of the day by seijiro murayama<\/a><\/iframe><\/p>\n\n\n\n<p>Il est coauteur de <em>Idiomes &amp; idiots<\/em> (2010) : <a href=\"https:\/\/www.adverse.fr\/produit\/idiomes-idiots\/\">adverse.fr<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3>&#x1f393; Workshop \u2014 Jeudi 21 mai, 14h\u201317h<\/h3>\n\n\n\n<p><strong>Avec Seijiro Murayama \u00b7 Batterie et voix \u00b7 Ouvert \u00e0 tous et toutes<\/strong><\/p>\n\n\n\n<p>Quelques exercices simples autour de l&#8217;\u00e9coute, du geste et du jeu individuel et collectif, afin d&#8217;approfondir la pratique instrumentale. Le workshop donnera lieu \u00e0 une pr\u00e9sentation le soir m\u00eame.<\/p>\n\n\n\n<p>Inscription au workshop ici :<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Seijiro Murayama, galerie 5un7, Bordeaux 01\/04\/2023\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/f3cxWFJiTCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Concert \u00b7 Performance \u00b7 Workshop \u2014 R\u00e9sidences Rhythmajik Jeudi 21 mai 2026 \u2014 portes \u00e0 20h30, concerts \u00e0 21h00 Les Ateliers de Bitche, Nantes Prix<a class=\"moretag\" href=\"https:\/\/apo33.org\/?p=13037\"> <span class=\"dashicons dashicons-plus\"><\/span><span class=\"dashicons dashicons-plus\"><\/span> <\/a><\/p>\n","protected":false},"author":1,"featured_media":13038,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[2328,8,91,101],"tags":[2509,75,1204,3995,3762],"_links":{"self":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/13037"}],"collection":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13037"}],"version-history":[{"count":2,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/13037\/revisions"}],"predecessor-version":[{"id":13040,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/posts\/13037\/revisions\/13040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=\/wp\/v2\/media\/13038"}],"wp:attachment":[{"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apo33.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}