Differences

This shows you the differences between two versions of the page.

--- virtual_records [2012/06/05 07:45]
julien
+++ virtual_records [2013/04/26 10:19] (current)
julien
@@ Line 1: / Line 1: @@
 ====== ONLINE FIBRR RELEASED ======
-if you enjoy the music, please support us
+===== EMMANUELLE GIBELLO - Secret Mercy =====
+**(VIBRIRRR014)**
+{{:cover:secretmercy.jpg |}}
+Secret Mercy tracks's are oscillating in between two stories, as in Haruki Murakami novel "The End of the World".
+All the tracks were recorded in Febuary 2013.
+Field-recordings are from France, Korea, Japan, Laos, Canada, recorded in between 1999 and 2012.
+Voices, Thomas Sinou, Dominique Blais, Dinah Bird, Caroline Bouissou, Beatrice and Florence Castonguay, The Sauvillers Family.
+<html>
+<iframe src="http://archive.org/embed/SecretMercy&playlist=1" width="500" height="300" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>
+</html>
+Emmanuelle Gibello is developing a practice combining visual art and electronic music. She uses new technologies for field recordings from both natural and urban contexts, real time performances or works incorporating networks.
+Her sound collection contains archival sounds from the quotidian as well as more thematic research conducted during her travels and is the starting point for her compositions and live sound mixing.
+Emmanuelle Gibello considers the relationship between sound and image, soundscape and memory. She revisit urban space aesthetically through sound.
+http://www.scenophonie.net
+===== TONESUCKER =====
+**(VIBRIRRR012)**
+{{:ts-ipswich.jpg |}}
+Tonesucker are a trio based in London and Suffolk, UK. They work with
+electric guitar and synthesised sounds - sounds they describe as
+"fundamentalist". They often record on location incorporating
+soundscape material in their work. Although they are sometimes
+classified in terms of drone music, Tonesucker have been working in a
+characteristic way since 2006 combining improvisation and composition
+with a sense of the occult history of the places they play live and
+record in, crossing the borders between post-rock, noise, free
+improvised and electro-acoustic music, and accompanying performances
+with austere and abstract films.
+A typical Tonesucker piece will move between extremes of loudness,
+musicality and discipline, sometimes sounding delicate and minimal,
+sometimes intense, machinic and visceral. Though largely improvised
+and never rehearsed, Tonesucker work under constraints. A musical or
+other sound-shaping rule will be agreed in advance. This can be the
+requirement to use only a certain note, or a certain sound, or to
+observe certain 'shapes', or to follow the film as a visual score.
+Pieces commonly exhibit the rule at the outset with the task to
+explore, stretch and battle with it until it can be tolerated no more.
+Things break down. Literally unruly passages follow as the restraint
+is tugged against, mocked or negated. Tonesucker may return to where
+they started. They may move into unprepared territory. They may
+establish a new rule. Or it all may fall apart into a messy shambles.
+//The pleasure of Tonesucker is in the pain of restraint.//
+{{:subrosa_web.jpg |}}
+<html>
+<iframe src="http://archive.org/embed/SubRosa&playlist=1" width="500" height="150" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>
+</html>
+**1 Omnia Convivia Crastina Pars Secunda** (16.54) - [[http://archive.org/download/SubRosa/1.OmniaConviviaCrastinaParsSecunda.mastered.aif|download aif]]
+Live performance at All Tomorrow's Parties, Minehead, December 5, 2009.
+**2 The Wrong Wire** (07.20) [[http://archive.org/download/SubRosa/2.TheWrongWire.mastered.aif|download aif]]
+Composed at Slaughterhouse Studios, Coddenham, Suffolk, England, at
+Albion Works, London, England, and at Estuary Crescent, Shotley,
+Suffolk, England, November, 2010.
+**3 Nantes Report** (09.10) [[http://archive.org/download/SubRosa/3.NantesReport.mastered.aif|download aif]]
+Composed at Albion Works, London, England, December, 2012 from live
+performances at Beyond Signal #9, APO33, Nantes, France, March 5,
+.
+**4 Sub Rosa** (26.09) [[http://archive.org/download/SubRosa/4.SubRosa.mastered.aif|download aif]]
+Recorded live at Musatelier, Impasse des Rosiers, Saint-Dizant-du-Gua,
+France, March 7, 2010.
+Photograph taken at the graveyard of St Mary's Church, Harmondsworth,
+England in the shadow of the UK Border Agency's Immigration Removal
+Centre.
+The album Sub Rosa (to be debuted on Berlin's 88vier Radio on Tuesday
+nd January 2013) follows last year's Omnia Convivia Crastina (Onoma
+Research) which appeared in A Closer Listen's Top 20 Albums of the
+Year as well as in their Top 10 in the Drone category. Sub Rosa's four
+tracks examine the psychogeographical resonances of the places they
+were recorded, all of which are close to a river or estuary (the
+Rivers Severn and Orwell in England, the River Loire and the Gironde
+in France) and so suggest voyages, pilgrimages, migration - a sense of
+loss of home or being adrift but also trade, connection, messages from
+elsewhere, hope.
+**Sub Rosa is released by Fibrr Records with the cooperation of APO33,
+vier Radio, CoLaboRadio and Onoma Research. **
+__Tonesucker appear live in Berlin at Salon Bruit, Tiefgrund,
+Laskerstrasse 5 on Thursday 24th January 2013.__
+http://www.tonesucker.com
+===== ERIN SEXTON - CRYSTAL SYMMETRY =====
+**(VIBRIRRR011)**
+. crystal, 31 m 46 sec, stereo, 48 khz 24 bit [[http://archive.org/details/CrystalSymettry|download]]
+. symmetry, 31 m 46 sec, stereo, 48 khz 24 bit [[http://archive.org/details/CrystalSymettry|download]]
+<html>
+<iframe src="http://archive.org/embed/CrystalSymettry&playlist=1" width="500" height="95" frameborder="0"></iframe>
+</html>
+improvisation/experiment with electromagnetic amplifiers, hewlett packard test oscillator, super saturated solution, sugar crystals, touch.  track 1 is the original recording, track 2 is a symmetrical reflection of the original.
+http://en.wikipedia.org/wiki/Crystal_structure
+recorded during artist residency at Studio XX, Montreal, Canada, Fall 2012
+http://www.studioxx.org/res/erin-sexton-crystalline-domain
+{{:crystal_web.jpg| }}{{:symmetry_web.jpg|}}
+British Columbia born artist Erin Sexton explores matter, energy, space, and time through sound, performance, installation, and video. Drawing from theoretical physics and mysticism, her work is both rigorously conceptual and playfully improvisational. Through analog electronics, electromagnetic fields, pseudo- science projects, and phenomenological experimentation she creates direct links between lived experience and the processes of nature, from the sub atomic to the astronomical. She collaborates most often with Magali Babin (CA), Julie Rousse (FR), Pascale Barret (BL), and Alexander Wilson (CA, as Ænth). She has released 2 albums: Horizon (2011, les encodage de l’oubli) and Aircraft (2004, independent), and is featured on multiple compilations. Her work has been presented across North America and Europe. She has lived and worked in Montreal since 2004.
+http://erinsexton.com
+===== PHIL JULIAN - FLOODPLAIN =====
+**(VIBRIRRR010)**
+{{:pj_floodplain_image_web2.jpg|}}
+<html>
+<iframe src="http://archive.org/embed/Floodplain&playlist=1" width="500" height="120" frameborder="0"></iframe>
+</html>
+#1 (16:44)
+#2 (03:11)
+#3 (16:32)
+Recorded August/September 2012 in London.
+All source material from web browser based real-time audio synthesis and many-to-many vector mapping via TiberSynth v0.1 (Cory O'Brien 2012)
+http://tibersynth.prtcl.cc/
+http://cmx.org.uk
+===== INTERSECTION RADIO - SESSION #1 - 2004 =====
+**(VIBRIRRR008)**
+INTERSECTION Radio was a project co-programmed by various artists with the support of apo33.
+Intersection - 2004/2005
+**Alain de Filippis, Basso & Olivier Toulemonde, Cedric Pigot, Formanex, Emmanuel Leduc, Roel Meelkop, Helmut Schäfer, Jaap Blonk, Jason Kahn, Jfrede, Joerg Piringer, Julien Ottavi, Junko & Mattin, Karl Jensac & Helmut Schäfer, Luc Kerléo, Ercklentz & Neumann, Mattin, Natassia Kouliev, Pascal Broccolichi, Pyo, Will Guthrie**
+{{:opennoise:intersection_radio640x480.jpg|}}
+<html>
+<iframe src="http://archive.org/embed/IntersectionRadioArchivesPartI2004&playlist=1" width="500" height="400" frameborder="0"></iframe>
+</html>
+[[http://archive.org/details/IntersectionRadioArchivesPartI2004|DOWNLOAD HERE]]
+With this project/broadcast, we wanted to explore the question of the diffusion of sound on the Internet. This exploration was organised in different times and following different modes. First come a time of presentation, installation : we proposed to some artists that they create one or several pieces, with no limit in duration. The various programmers question their own network of artists to whom they present the proposition in their own terms. The result was first playlist which is broadcast for the first two months followed by a new playlist etc. - as usually practised by traditional radio stations, but without a disc jockey and with pieces that can last between one second and several hours. The idea was not to present systematically something new, like most common radio stations usually do, but rather to try and create a work group of sound artists with different techniques and outlooks to explore the opportunities of the webradio (a medium involving sound transmission on the Internet through audio streaming). The artists in the work group perform in the firsts playlists according to the themes chosen by the programmers ; they can also collaborate on different themes, in future playlists. At the heart of this project, lies the will to create another radio, different from the radios (hertzian or Internet) we come across every day. There are currently no stations that broadcast sound pieces by sound artists or contemporary musicians, that last more than 5 minutes â except from full Cds and downloads. This project was a collective work in progress with many possible variables.
+**THIS RELEASE IS ALSO AVAILABLE AS USB KEY (16Go) WITH ALL THE PIECES AS MP3 & WAV (not compressed format)**
 <html>
 <form action="https://www.paypal.com/cgi-bin/webscr" method="post">
 <input type="hidden" name="cmd" value="_s-xclick">
-<input type="hidden" name="hosted_button_id" value="QPA7EEXD76U2J">
+<input type="hidden" name="hosted_button_id" value="EN44MQHLNZFJG">
-<input type="image" src="https://www.paypal.com/en_US/FR/i/btn/btn_donateCC_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
+<input type="image" src="https://www.paypalobjects.com/en_US/FR/i/btn/btn_buynowCC_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
-<img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1">
+<img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height=
-</form>
 </html>
 .
-===== JEAN-MARC SAVIC =====
-S/T (VIBRIRRR007)
+===== JEAN-MARC SAVIC - S/T =====
+**(VIBRIRRR007)**
 {{:jmsavic.jpg|}}
@@ Line 191: / Line 377: @@
 <input type="hidden" name="cmd" value="_s-xclick">
 <input type="hidden" name="hosted_button_id" value="W28HUHF5AXPUL">
-<input type="image" src="https://www.paypal.com/en_US/i/btn/btn_buynow_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
-<img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1">
-</form>
-</html>
-===== EL RIMAC NOISE =====
-.
-[[EL RIMAC NOISE RECORDING!!!]]
-“live noise music from South America & elsewhere recorded in Rimac district of Lima - Peru” (VIBRIRRR002)
-{{rimac_recto.jpg}}
-Buy it All on DVD (MP3) - £10
-<html>
-<form action="https://www.paypal.com/cgi-bin/webscr" method="post">
-<input type="hidden" name="cmd" value="_s-xclick">
-<input type="hidden" name="hosted_button_id" value="GWHT94W8LBZAU">
 <input type="image" src="https://www.paypal.com/en_US/i/btn/btn_buynow_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
 <img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1">
@@ Line 230: / Line 393: @@
-[[http://musique-libre.org/static.php?op=musiqueIndex.php&group=Dion+workman+%26+julien+ottavi&npds=-1|DOWNLOAD & STREAMING HERE]]
+[[http://www.dogmazic.net/Dion_workman_a_julien_ottavi|DOWNLOAD & STREAMING HERE]]
 {{cover:dion_julien2.jpg}}
@@ Line 243: / Line 406: @@
 </form>
 </html>
@@ Line 265: / Line 426: @@
 {{p2p.artistwarning.jpg}}
+-------------------------------
+if you enjoy the music, please support us
+<html>
+<form action="https://www.paypal.com/cgi-bin/webscr" method="post">
+<input type="hidden" name="cmd" value="_s-xclick">
+<input type="hidden" name="hosted_button_id" value="QPA7EEXD76U2J">
+<input type="image" src="https://www.paypal.com/en_US/FR/i/btn/btn_donateCC_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
+<img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1">
+</form>
+</html>

Differences

FIBRR RECORDS

NOIZMUTATION SUBLABEL

FIBRR EXTRA